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In modern usage the term "zither" usually refers to three specific instruments: the concert zither (German: Konzertzither), its variant the Alpine zither (each of which uses a fretted fingerboard), and the chord zither (more recently described as a fretless zither or "guitar zither"). Concert and Alpine zithers are traditionally found in ...
Charles F. Zimmermann, a German immigrant in Philadelphia, was awarded a patent in 1882 for a “Harp” fitted with a mechanism that muted strings selectively during play. [3] He called a zither-sized instrument using this mechanism an “autoharp.” [4] Unlike later designs, the instrument shown in the patent was symmetrical, and the damping ...
Dolceola (at far right) Andy Cohen playing a dolceola. A dolceola is a musical instrument resembling a miniature piano, but which is in fact a distinct type of zither with a keyboard. It has an unusual, angelic, music-box sound. Dolceolas were made by the Toledo Symphony Company from 1903 to 1907.
Clavichord (keyboard instrument) Clavinet (electric keyboard instrument) Đàn tam thập lục (Vietnam) Fiddlesticks; Hammered dulcimer; Harpejji; Jhallari; Khim (Thailand and Cambodia) Piano (Keyboard instrument) Santur/Santoor (Persia, India, Pakistan, Greece) Tsymbaly (Ukraine) Utogardon (Hungary) Warr guitar; Yanggeum (Korea) Yangqin (China)
31: Instruments which consist solely of a string bearer or a string bearer with a resonator that is not integral to the instrument Subcategories This category has the following 9 subcategories, out of 9 total.
Paul Gifford and Karl-Heinz Schickhaus have researched the salterio in 18th century Italy; there are instruments with up to eight strings per course (i.e. 8 strings tuned to the same note and played all together, like a 12-string guitar or the middle and upper notes of a piano), made in places like Venice, Florence, Brescia, Milan, and Triente [citation needed], and signed by ten different makers.
Its keyboard was the same as that of other keyboard instruments, so permitting the playing of chromatic scales. The instrument had two pedals. One sustained or dampened the strings, and the second divided certain strings into two equal parts to provide harmonic octaves. The instrument was much lighter and transportable than a piano.
This variety of instrument came in two basic forms, a zither that had bridges and a zither without bridges. An 1878 depiction by Settei Hasegawa of a woman playing the koto. When the koto was first imported to Japan, the native word koto was a generic term for any and all Japanese stringed instruments.