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The concert footage provided the climax of Lindsay-Hogg's documentary, originally planned as a TV special but released as the Let It Be film in May 1970, a month after the Beatles' break-up. [ 42 ] According to author James Perone, the concert achieved "iconic status" among fans as the Beatles' final live appearance; and in the history of rock ...
The Beatles ("The White Album", 1968) Yellow Submarine (1969) Abbey Road (1969) Let It Be (1970) The catalogue also includes the 1988 compilation album Past Masters, which collected 25 of the Beatles' 30 non-album singles, along with the 1964 EP Long Tall Sally and other rarities that were commercially available in the 1960s. [44]
"Let It Be" is a song by the English rock band the Beatles, released on 6 March 1970 as a single, and (in an alternative mix) as the title track of their album Let It Be. It was written and sung by Paul McCartney , and credited to the Lennon–McCartney partnership.
Yet in “Let It Be,” the faces of the Beatles now loomed up on screen as if they were ex-gods starring in the first rock ‘n’ roll reality show. That, however, was then. When Peter Jackson ...
When I was a Beatles-obsessed seven-year-old, my mother, in an act of selfless parental love, took me to a Fab Four film festival: “Hard Day’s Night,” “Let It Be,” “Yellow Submarine ...
It was originally going to be theatrically released in 2020 to coincide with the 50th anniversary of the Let It Be album, but was delayed to November 2021 and moved to Disney+. A book also titled The Beatles: Get Back was released in October 2021, ahead of the documentary. [102] A super deluxe version of the album was released on 15 October 2021.
"Dig a Pony" is a song by the English rock band the Beatles from their 1970 album Let It Be. It was written by John Lennon and credited to Lennon–McCartney.The band recorded the song on 30 January 1969, during their rooftop concert at the Apple Corps building on Savile Row in central London.
Naked is an alternative mix of the Beatles' 1970 album Let It Be, released on 17 November 2003 by Apple Records. The project was initiated by Paul McCartney , who felt that the original album's producer, Phil Spector , did not capture the group's stripped-down, live-to-tape aesthetic intended for the album. [ 1 ]