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He also appeared with Columbo in That Goes Double (1933), which featured Smeck on a screen divided into four parts, simultaneously playing steel guitar, tenor banjo, ukulele, and six-string guitar. Smeck played at Franklin D. Roosevelt 's presidential inaugural ball in 1933, George VI's coronation review in 1937, and toured globally.
The headstock shape was also modified to a deeper taper and shaped to resemble the Martin instruments. As is traditional with classical instruments, Sigma classical guitars do not have the headstock logo, and one must rely on the inner label for identification.
Classical guitar headstock. A headstock or peghead is part of a guitar or similar stringed instruments such as a lute, mandolin, banjo, ukulele and others of the lute lineage. . The main function of a headstock is to house the tuning pegs or other mechanism that holds the strings at the "head" of the instrument; it corresponds to a pegbox in the violin fami
Headstock of a Washburn RB2802 eight-string bass. In recent years, Washburn licensed several guitar construction features: the Buzz Feiten Tuning System — a corrected temperation tuning formula, using a compensated nut and saddle to minimize the inherent intonation problems of the Western tuning formula. The BFTS was first used by Washburn in ...
In some sense, the Peavey EVH Wolfgang guitar [8] picked up where the Ernie Ball Music Man EVH model left off [9] with the prototype design being made by Peavey Design Engineer/Luthier Jim DeCola [10] (an amber quilted top model which still didn't have the Wolfgang headstock shape, but rather a Peavey classic one). On the second prototype ...
The Jazz Special Bass has a single blade pickup as used on the K-161 and K-162 (tilted slightly towards the neck at the treble side), as well as a distinctive, oversized headstock. Valued among collectors, the headstocks from 1957 to 1960 featured a reverse painted plastic overlay similar to the Kelvinator logo. The guitars featured art deco ...
Most are built of wood with metal accoutrements, although the mid-century "Dixie" brand featured banjo ukuleles made from solid metal. [3] The banjo ukulele neck typically has sixteen frets, and is the same scale length as a soprano or, less commonly, concert or tenor-sized ukulele. Banjo ukuleles may be open-backed, or may incorporate a resonator.
The first banjo method was the Briggs' Banjo instructor (1855) by Tom Briggs. [36] Other methods included Howe's New American Banjo School (1857), and Phil Rice's Method for the Banjo, With or Without a Master (1858). [36] These books taught the "stroke style" or "banjo style", similar to modern "frailing" or "clawhammer" styles. [36]