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Charcoal (Mac OS 9 system font) Designer: David Berlow: Chicago (pre-Mac OS 9 system font, still included with Mac OS X) Designer: Susan Kare: Adobe Clean - Adobe's now standard GUI and icon font Class: Humanist, Spurless : Clear Sans (Intel) Designer: Dan Rhatigan, George Ryan, Robin Nicholas : Clearview Designer: James Montalbano et al. Class ...
Samples of Monospaced typefaces Typeface name Example 1 Example 2 Example 3 Anonymous Pro [1]Bitstream Vera Sans Mono [2]Cascadia Code: Century Schoolbook Monospace
Examples of several libre, sans-serif typefaces. There are Unicode typefaces which are open-source and designed to contain glyphs of all Unicode characters, or at least a broad selection of Unicode scripts. There are also numerous projects aimed at providing only a certain script, such as the Arabeyes Arabic font.
The Public Type or PT Fonts are a family of free and open-source fonts released from 2009 onwards, comprising PT Sans, PT Serif and PT Mono.They were commissioned from the design agency ParaType by Rospechat, a department of the Russian Ministry of Communications, to celebrate the 300th anniversary of Peter the Great's orthography reform and to create a font family that supported all the ...
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The OpenDocument format (ISO/IEC 26300:2006) and Rich Text Format can use it to specify the sans-serif generic typeface ("font family") name for the font files used in a document. [ 102 ] [ 103 ] [ 104 ] Presumably refers to the popularity of sans-serif grotesque and neo-grotesque types in Switzerland.
It is released in four optical variants, for display, headline, regular and caption text sizes, each in regular, semibold and bold weights. A black (extra-bold) weight is available in the headline size. Slimbach made some changes to the font when revisiting it for the OpenType release, and Adobe does not guarantee identical character metrics. [4]
Peter Biľak's Karloff is a family of normal and matching reverse-contrast fonts with upper- and lower-case, together with a low-contrast slab serif design, all with the same basic structure. Biľak and his colleagues tried to strictly invert the contrast of a conventional Didone font and interpolate the two for the low-contrast slab serif.