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The Visual Bible, also Visual Bible Project is the name used by two distinct projects to film, verbatim, books of the New Testament. The first Visual Bible project produced The Visual Bible: Matthew (1993) and The Visual Bible: Acts (1994) starring Italian - American actor Bruce Marchiano as Jesus .
The complete Gospel is presented word-for-word based on the New International Version of the Bible. It was directed by South African film maker Regardt van den Bergh and stars veteran actor Richard Kiley in the role of St. Matthew (who narrates the movie), newcomer Bruce Marchiano as Jesus, and Gerrit Schoonhoven as Peter.
The New Media Bible: The Gospel According to St. Luke (1979) A Child Called Jesus (1987) The Last Temptation of Christ (1988) The Revolutionary (1995) The Revolutionary II (1996) The Visual Bible: Matthew (1997, South Africa) Jesus (1999, TNT Bible Series) The Gospel of John (2003, Canada/UK) Son of Man (2006, South Africa) Color of the Cross ...
Lock and Dam No. 19 is a lock and dam located on the Upper Mississippi River near Keokuk, Iowa. In 1978, the Keokuk Lock and Dam was listed in the National Register of Historic Places , #78001234. In 2004, the facility was listed in the National Register of Historic Places as Lock and Dam No. 19 Historic District, #04000179 covering 1,605 acres ...
The Matthew Bible was the combined work of three individuals, working from numerous sources in at least five different languages. The entire New Testament (first published in 1526 and later revised in 1534), the Pentateuch, Jonah and in David Daniell's view, [1] the Book of Joshua, Judges, Ruth, First and Second Samuel, First and Second Kings, and First and Second Chronicles, were the work of ...
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January 30, 1957 [4] 6: February 6, 1957: The Ten Commandments: The Ten Commandments reached number one in its 13th week of release. [5] 7: February 13, 1957 [6] 8: February 20, 1957 [7] 9: February 27, 1957 [8] 10: March 6, 1957: The Ten Commandments grossed $425,000 from 19 key cities. [9] 11: March 13, 1957: The Ten Commandments grossed ...
According to author Diane Apostolos-Cappadona, in the 1950s and 1960s, during the era of the production code, "the most acceptable cinematic path for movies to incorporate sex and violence was the biblical epic". [6] Basing a film on the Bible allowed it to be more risqué than would normally have been accepted.