Search results
Results from the WOW.Com Content Network
Mardi Gras papier-mâché masks, Haiti. Papier-mâché (UK: / ˌ p æ p i eɪ ˈ m æ ʃ eɪ / PAP-ee-ay MASH-ay, US: / ˌ p eɪ p ər m ə ˈ ʃ eɪ / PAY-pər mə-SHAY, French: [papje mɑʃe] - the French term "mâché" here means "crushed and ground" [1]) is a versatile craft technique with roots in ancient China, in which waste paper is shredded and mixed with water and a binder to produce ...
Cartonería, the making of three-dimensional sculptures with papier-mâché, is part of Mexico's tradition of paper based handcrafts. [2] Paper was developed in the region during the Mesoamerican period using the bark of a type of fig tree called amate or the fibers of the maguey plant.
The icon painters, who previously had been employed by supplying not only churches but people's homes, needed a way to make a living. Thus, the craft of making papier-mâché decorative boxes and panels developed, the items were lacquered and then hand painted by the artists, often with scenes from folk tales.
Both are based on the forms and techniques used to make Judas figures and there are early works by the families of human Judas figures with animal heads and wings. [8] The Day of the Dead season is the busiest for the Linares Family, with interest in the holiday in the United States and Europe translating to even more business for the ...
The skilled artisans involved with this painstaking process are called Paper Mache makers. The materials involved with this process are discarded paper, cloth, straw of rice plant, which are mixed and made into a pulp. [7] The paper, after immersing in water for 4–5 weeks, is taken out and made into a pulp and dried.
Moon blocks or jiaobei (also written as jiao bei etc. variants; Chinese: 筊杯 or 珓杯; pinyin: jiǎo bēi; Jyutping: gaau2 bui1), also poe (from Chinese: 桮; Pe̍h-ōe-jī: poe; as used in the term "poe divination"), are wooden divination tools originating from China, which are used in pairs and thrown to seek divine guidance in the form of a yes or no question.
A takaan, a carved wooden sculpture, is used as a mold in making taka. Brown craft paper is used as a final layer for taka made for export. This provides a thicker base and smoother finish for the craft. Taka is also painted. The traditional way of painting a taka is to use primary colors, add simple flower motifs and use repetitive lines and ...
Paper (dyed yellow) has been drawn over the boards. The cover material is papier-mâché. The boards resemble wood, and are smooth bevelled. Yellow endleaves and pastedowns printed in gold. A gift book produced by Paul Jerrard.