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Don Giovanni (Italian pronunciation: [ˌdɔn dʒoˈvanni]; K. 527; Vienna (1788) title: Il dissoluto punito, ossia il Don Giovanni, literally The Rake Punished, or Don Giovanni) is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte.
"Il mio tesoro" (or "Il mio tesoro intanto") is an aria for lyric tenor voice from scene 2 in act 2 of Mozart's opera Don Giovanni.It is often performed in recitals and featured in anthologies of music for tenor. [1]
Madamina, il catalogo è questo" (also known as the Catalogue Aria) is a bass catalogue aria from Mozart's opera Don Giovanni to an Italian libretto by Lorenzo Da Ponte, and is one of Mozart's most famous and popular arias. It is sung by Don Giovanni's servant Leporello to Elvira during act 1 of the opera. [1]
Don Giovanni The role was created by Antonio Baglioni [Wikidata], [4] who sang Don Ottavio in the premiere of Mozart's opera. Pasquariello, Don Giovanni's manservant ; The Commendatore (bass) Donna Anna, the Commendatore's daughter ; Duca Ottavio, Donna Anna's fiancé (tenor) Donna Elvira, a former lover of Don Giovanni (soprano)
"Là ci darem la mano" is a duet sung by Don Giovanni and Zerlina in act 1 of Mozart's 1787 opera Don Giovanni. In a manuscript of this composition, dedicated to his schoolfriend Tytus Woyciechowski, the latter replied on the title page in written form „J’accepte avec plaisir“ („I accept with pleasure“).
The piece begins with music sung by the Commendatore, both from the graveyard scene where he threatens Don Giovanni ("Di rider finirai pria dell'aurora! Ribaldo audace! Lascia a' morti la pace!" — "Your laughter will not last, even till morning. Leave the dead in peace!") and from the finale where he condemns Don Giovanni to Hell.
She is also conducting a new production of another Mozart opera, “Die Zauberflöte,” which opens just two weeks after “Don Giovanni.” Show comments Advertisement
As reconstructed by Howard, the piece includes the music based on the dance scene from the Act I finale of Don Giovanni. The dramatic opening is based on the music from Figaro: a free paraphrase of "Non più andrai" followed by an arrangement of "Voi che sapete" in A-flat major instead of Mozart's B-flat major. This is the only appearance of ...