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Serbian folk music (Serbian: српска народна музика / srpska narodna muzika) refers to, in the narrow sense, the "older" style of Serbian folk music, predating the "newer" (Serbian: новокомпонована / novokomponovana, "newly composed") style which emerged in the 1970s and 1980s as a result of urbanisation.
The Serbian folk music is both rural (izvorna muzika) and urban (starogradska muzika) and includes a two-beat dance called kolo, which is a circle dance with almost no movement above the waist, accompanied by instrumental music made most often with an accordion, but also with other instruments: frula (traditional kind of a recorder), tamburica ...
Besides his long career in Yugoslavia, he made significant career performing in Soviet Union. He released 5 albums between 1959 and 1982: Muzika za igru (1959), Mustafa (1961), Prijatelji Zdravo (1967), Hvala vam prijatelji (1979) and Dvadeset nikad više (1982). Mihailo Živanović (first left) and world-renowned clarinetist Tony Scott (first ...
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Balkan folk music is the traditional folk music within Balkan region.In South Slavic languages, it is known as narodna muzika (народна музика) or folk muzika (фолк музика) in Bulgarian, Macedonian, and Serbo-Croatian, and alternatively narodna glazba in standard Croatian, and narodna glasba in Slovene.
Nedeljko Bajić Baja (born 1968), pop-folk singer; Baja Mali Knindža (born 1966), pop-folk singer; Đole Đogani (born 1960), pop-folk and Eurodance singer, dancer and member of Đogani
Turbo-folk is a subgenre of contemporary South Slavic pop music that initially developed in Serbia during the 1990s as a fusion of techno and folk.The term was an invention of the Montenegrin singer Rambo Amadeus, who jokingly described the aggressive, satirical style of music as "turbo folk".
YU 100: najbolji albumi jugoslovenske rok i pop muzike (trans. YU 100: the Greatest Yugoslav Rock and Pop Music Albums) is a book by Duško Antonić and Danilo Štrbac, published in 1998. [1]