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Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the late 16th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. [1]
Baroque churches were designed with a large central space, where the worshippers could be close to the altar, with a dome or cupola high overhead, allowing light to illuminate the church below. The dome was one of the central symbolic features of Baroque architecture illustrating the union between the heavens and the earth.
The Baroque architecture period began with the creation of the basilica with crossed dome and nave.One of the first Roman structures to move away from the Mannerist conventions, like the Church of the Gesù, was the church of Church of Saint Susanna, designed by Carlo Maderno in 1596.
Basil's Cathedral is the only cathedral church featuring multiple tent-like roofs, but then it is more of a votive church than a cathedral. The 17th century was marked by the return to the traditional Byzantine model of cathedral and katholikon architecture, with four of six piers supporting the vaults.
Church architecture refers to the architecture of Christian buildings, such as churches, chapels, convents, seminaries, etc. It has evolved over the two thousand years of the Christian religion , partly by innovation and partly by borrowing other architectural styles as well as responding to changing beliefs, practices and local traditions.
Complex in form and ornate with sculpture, the baldacchino serves as a great example of the Baroque ‘style’, massive and ornate, glorifying the church and the Catholic religion. This space is an example of quadratura, an attempt to create an illusion through architecture, painting, and sculpture. Painting and sculpture create an illusion of ...
It is in the Baroque style, but it is a very controlled and English sort of Baroque in which Wren creates surprising and dramatic spatial effects, particularly in his use of the dome, which, like Brunelleschi's dome in Florence, spans not only the nave but also the aisles, opening the whole centre of the church into a vast light space.
English Baroque is a term used to refer to modes of English architecture that paralleled Baroque architecture in continental Europe between the Great Fire of London (1666) and roughly 1720, when the flamboyant and dramatic qualities of Baroque art were abandoned in favour of the more chaste, rule-based Neo-classical forms espoused by the proponents of Palladianism.