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It is a hip hop song and features military horns, hissing synthesizers, sharp beats and piano chords. The song became Rihanna's thirteenth top ten single on the US Billboard Hot 100, matching Beyoncé as the female artist with the most US top ten songs since 2000.
The song is a piano ballad [6] written in the key of D major with a slow tempo of 65.5 beats per minute in common time. It follows a chord progression of D – B ♭ (B ♭ /C in the coda) – Gm, and Rihanna's vocals span from G 3 to F ♯ 5. [7]
"What Now" is a piano-led mid tempo pop and R&B ballad which lasts four minutes and three seconds. [14] [15] [16] According to Sony/ATV Music Publishing's digital sheet music for the song, it is composed in the key of G ♯ minor and set in compound duple meter (6
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
Instrumentation is provided by finger snapping, [15] minor piano keys [13] [16] and piano riffs, a style of repeated chord progression. [2] The lyrics of "Stupid in Love" revolve around a woman in an abusive and adulterous relationship, progressing to the female protagonist leaving her boyfriend.
"Hate That I Love You" is a midtempo pop and R&B song with folk influences that runs for 3 minutes and 39 seconds. [12] According to the digital sheet music published by Sony/ATV Music Publishing at Musicnotes.com, it is written in the key of A-flat major and Rihanna's vocal range spans nearly an octave and a half from F3 to B♭5. [11]
He's had Billboard No. 1 tracks in 1993 ("Always" featuring Alana, US Dance Chart) and in 2018 ("17" featuring Carla Monroe, UK Dance Chart), with several more sprinkled in between.
Upon Loud ' s release, multiple music critics wrote about "Fading" as part of their review, many of whom praised the production of the song. Emily Mackay of NME wrote about the song as part of an overall review of the album, writing "A weird baroque pop opening, violin stabs and treated vocals, builds slowly into a rolling and shuddering beat and soft, sad-toned piano. [9]
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