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"The Gods of the Copybook Headings" is a poem by Rudyard Kipling, characterized by biographer Sir David Gilmour as one of several "ferocious post-war eruptions" of Kipling's souring sentiment concerning the state of Anglo-European society. [1] It was first published in the Sunday Pictorial of London on 26 October 1919.
"The White Man's Burden" was first published in The New York Sun on February 1, 1899 and in The Times (London) on February 4, 1899. [7] On 7 February 1899, during senatorial debate to decide if the US should retain control of the Philippine Islands and the ten million Filipinos conquered from the Spanish Empire, Senator Benjamin Tillman read aloud the first, the fourth, and the fifth stanzas ...
Rudyard Kipling was born on 30 December 1865 in Bombay in the Bombay Presidency of British India, to Alice Kipling (born MacDonald) and John Lockwood Kipling. [13] Alice (one of the four noted MacDonald sisters ) [ 14 ] was a vivacious woman, [ 15 ] of whom Lord Dufferin would say, "Dullness and Mrs Kipling cannot exist in the same room."
It is in two parts. The first part is an essay by American-born British poet T. S. Eliot (1888–1965), in which he discusses the nature and stature of British poet Rudyard Kipling (1865–1936). The second part consists of Eliot's selection from Kipling's poems. A Choice of Kipling's Verse was republished in 1963. [1]
Many of Kipling's short stories were introduced with a short fragment of poetry, sometimes from an existing poem and sometimes an incidental new piece. These were often identified "A Barrack-Room Ballad", though not all the poems they were taken from would otherwise be collected or classed this way.
"If—" is a poem by English poet Rudyard Kipling (1865–1936), written circa 1895 [1] as a tribute to Leander Starr Jameson. It is a literary example of Victorian-era stoicism. [2] The poem, first published in Rewards and Fairies (1910) following the story "Brother Square-Toes", is written in the form of paternal advice to the poet's son ...
The poem is written with rhyming heptameters, two of which are equivalent to a ballad stanza. Some texts print the poem in groups of four lines. It is written in the style of a border ballad. The vocabulary, stock phrases and rhythms are reminiscent of the old ballads, and the culture described is not unlike that of the Border Reivers. The ...
Kipling was a war hawk and a staunch supporter of the Allies, whom he viewed as standing in the way of the German forces. According to scholar Irene de Angelis "Kipling equated Germany’s policy of Schreklichkeit in Belgium with the collapse of civilization." [4] His poem was intended to serve as a call to arms against Germany. [5]