Search results
Results from the WOW.Com Content Network
"Two Lovers and a Beachcomber by the Real Sea" is a poem written by Sylvia Plath that was first published in 1955, the year she graduated from Smith College summa cum laude. [1] An abstract poem about an absent lover, it uses clear, vivid language to describe seaside scenery, with "a grim insistence" on reality rather than romance and imagination.
The Poème de l'amour et de la mer (literally, Poem of Love and the Sea), Op. 19, is a song cycle for voice and orchestra by Ernest Chausson. It was composed over an extended period between 1882 and 1892 and dedicated to Henri Duparc. Chausson would write another major work in the same genre, the Chanson perpétuelle, in 1898.
"Love's Philosophy" is a poem by Percy Bysshe Shelley published in 1819. Background ... The waves clasp one another; Moonbeams kiss the sea), Metaphor (No sister ...
"The Wave" is a poem expressing Gruffudd's homesickness as, on board a ship in a Spanish harbour, he awaits favourable weather for his return journey. [8] It is also a cywydd llatai, a love poem in which a non-human messenger is sent to the beloved, [9] in this case one of the massive North Atlantic billows for which the Bay of Biscay is known
The poem in BL Add. MS 14997, a manuscript dating from c. 1500. The academic critic Huw Meirion Edwards considered that "The Seagull"’s imagery goes far beyond anything that had come before it in Welsh poetry, [7] and Anthony Conran wrote that "pictorially it is superb…[it] has the visual completeness, brilliance and unity of a medieval illumination, a picture from a book of hours". [8]
The Rime of the Ancient Mariner (originally The Rime of the Ancyent Marinere), written by English poet Samuel Taylor Coleridge in 1797–98 and published in 1798 in the first edition of Lyrical Ballads, is a poem that recounts the experiences of a sailor who has returned from a long sea voyage.
Devoid of love and light the world is a maze of confusion left by 'retreating' faith." [26] Critics have questioned the unity of the poem, noting that the sea of the opening stanza does not appear in the final stanza, while the "darkling plain" of the final line is not apparent in the opening. [27] Various solutions to this problem have been ...
Elgar first set Alice's poem to music for voice and piano in 1897 and it was published in a cultural magazine The Dome in 1898, with the title "Love alone will stay".Alice then adapted it for Sea Pictures: she re-ordered the verses, included more allusions to the sea, and it was renamed "In Haven".