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Australian copyright law originates in British copyright law which was established by the British parliament through the Australian Courts Act 1828. [2] The British Statute of Anne 1709, which awarded copyright protection to books, acted as a blueprint for the extension of copyright to new types of subject matter in the 18th and 19th Century.
"The duration of copyright in photographs has changed significantly as a result of Australia implementing its obligations under the Australia-US Free Trade Agreement (AUSFTA). New rules have been introduced to determine the duration of photographs that were still protected by copyright on 1 January 2005 or that were taken after that date.
In 2004 copyright in Australia changed from a "plus 50" law to a "plus 70" law, in line with the United States and the European Union. But the change was not made retroactive (unlike the 1995 change in the European Union which brought some e.g. British authors back into copyright, especially those who died from 1925 to 1944).
The Norwegian copyright act does not address public domain directly. The Norwegian copyright law defines two basic rights for authors: economic rights and moral rights. [..] For material that is outside the scope of copyright, the phrase «i det fri» («in the free») is used. This corresponds roughly to the term «public domain» in English.
Separate but parallel to the review by the ALRC, in 2013 Greens Senator Scott Ludlam introduced a "catch-all" fair use bill to parliament. [33] [34] As it was not a government bill, and did not proceed to a vote, it lapsed in November of that year on the day of the installation of the new parliament following the 2013 federal election. [35]
3 Australia. 4 Austria. 5 Azerbaijan. 6 Canada. 7 Chile. 8 People's ... 2059 (2002), current copyright law of Nepal Some Nepal Acts relating to Export and Import and ...
The Australian Digital Alliance (ADA) is an Australian non-profit coalition of public and private sector interests, formed to promote balanced copyright law by providing a voice for the public interest perspective in debates about copyright change and reform. The ADA engages with government through submissions, lobbying, and media activities.
In some countries these rights are known simply as copyright, while other countries distinguish them from authors' rights: in either case, the international laws which are concerned with them are distinct from those concerned with literary and artistic works under the Berne Convention for the Protection of Literary and Artistic Works and other ...