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Hannya masks appear in various skin tones: a white mask indicates a woman with a refined character (such as the aristocratic Lady Rokujō in Aoi no Ue), a red mask depicts a less refined character (like the spirit of peasant girl seen in Dōjōji), and the darkest red depicts true demons (revealed after appearing as women, as in Momijigari and ...
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Noh masks signify the characters' gender, age, and social ranking, and by wearing masks the actors may portray youngsters, old men, female, or nonhuman (divine or demonic) characters. [23]: 13 Only the shite, the main actor, wears a mask in most plays, although the tsure may also wear a mask in some plays. [23]: 13, 260
The film was shot at the Inba Marsh in Chiba Prefecture, Japan. Onibaba was inspired by the Shin Buddhist parable of yome-odoshi-no men (嫁おどしの面, bride-scaring mask) or niku-zuki-no-men (肉付きの面, mask with flesh attached), in which a mother, disgusted by her daughter's affair with a priest, used a mask to pose as a demon and frighten the girl into believing that she was cursed.
Français : Hannya. Tête de marionnette bunraku. Bois peint et crin de cheval. Japon, XXe siècle. Fondation Orient, Musée de l'Orient, Collection Kwok On, Lisbonne (Portugal). Inv. 2/2J2. Exposée lors de l'exposition "Enfers et fantômes d'Asie" au musée du quai Branly à Paris (France) en 2018.
Wooden hannya mask. In this print Hokusai combined two folklore monsters; a hannya, an old woman was believed to be changed into a demon because of deep-seated jealousy, and a yamanba ("mountain woman"), a demon believed to devour kidnapped children. [7] The print shows the monster reveling in her demonic meal of a live infant.
It appears that the picture does NOT depict a Hannya mask; it depicts a miniature (netsuke) of the mask. A useable image of an actual mask should be found. Possible expansion ideas: more on the type of plays this mask is used in, more on the history of the mask.
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