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Later on the dog's behaviour is reinterpreted as malicious, a reading made clear in Roger L'Estrange's pithy version: "A churlish envious Cur was gotten into a manger, and there lay growling and snarling to keep the Provender. The Dog eat none himself, and yet rather ventur'd the starving his own Carcase than he would suffer any Thing to be the ...
Augustine: The dogs are those that assault the truth; the swine we may not unsuitably take for those that despise the truth. Therefore because dogs leap forth to rend in pieces, and what they rend, suffer not to continue whole, He said, Give not that which is holy to the dogs; because they strive to the utmost of their power to destroy the truth.
The Dog in the Manger or The Gardener's Dog (Spanish: El Perro del Hortelano [el ˈpero ðel oɾteˈlano]) is a 1618 play by the Spanish playwright Lope de Vega. Its title refers to the proverb of the dog in the manger – it is an adaptation of a Spanish version of the story which deals with the emotional complications of class conflict. The ...
The Dog in the Manger is a story and metaphor derived from an old Greek fable. The Dog in the Manger may also refer to: The Dog in the Manger, a 1618 play by Lope de Vega; The Dog in the Manger, a Soviet musical-comedy film, based on the play; The Dog in the Manger, a Spanish film, based on the play
Churchill said of the Palestinians in 1937, "I do not agree that the dog in a manger has the final right to the manger even though he may have lain there for a very long time. I do not admit that right. I do not admit for instance, that a great wrong has been done to the Red Indians of America or the black people of Australia.
In the King James Version of the Bible the text reads: When they had heard the king, they departed; and, lo, the star, which they saw in the east, went before them, till it came and stood over where the young child was. The World English Bible translates the passage as: They, having heard the king, went their way; and behold,
The patriarchs of the Bible, when narrowly defined, are Abraham, his son Isaac, and Isaac's son Jacob, also named Israel, the ancestor of the Israelites. These three figures are referred to collectively as the patriarchs, and the period in which they lived is known as the patriarchal age. They play significant roles in Hebrew scripture during ...
[3] Further, Milward maintains that although Shakespeare "may have felt obliged by the circumstances of the Elizabethan stage to avoid Biblical or other religious subjects for his plays," such obligation "did not prevent him from making full use of the Bible in dramatizing his secular sources and thus infusing into them a Biblical meaning ...
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