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Universal Constructivism (sometimes called Constructive Universalism) was a style of art created and developed by Joaquín Torres-García.Through the study and incorporation of basic geometric structure (Constructive) in the ancient and modern world creates the ability to create art that will be meaningful (Universal) to anyone who has viewed his artworks. [1]
Stairway of the Hôtel Tassel, an early example of Gesamtkunstwerk. A Gesamtkunstwerk (German: [ɡəˈzamtˌkʊnstvɛʁk] ⓘ, literally 'total artwork', translated as 'total work of art', [1] 'ideal work of art', [2] 'universal artwork', [3] 'synthesis of the arts', 'comprehensive artwork', or 'all-embracing art form') is a work of art that makes use of all or many art forms or strives to do so.
Art for art's sake—the usual English rendering of l'art pour l'art (pronounced [laʁ puʁ laʁ]), a French slogan from the latter half of the 19th century—is a phrase that expresses the philosophy that 'true' art is utterly independent of all social values and utilitarian functions, be they didactic, moral, or political.
The initial core set of terms was derived from authority lists and the literature of art and architectural history; this core set was reviewed, approved and added to by an advisory team made up scholars from all relevant disciplines, including art and architectural historians, architects, librarians, visual resource curators, archivists, museum personnel, and specialists in thesaurus construction.
Universality most commonly refers to: Universality (philosophy) Universality (dynamical systems) Universality principle may refer to: In statistics, universality principle, a property of systems that can be modeled by random matrices; In law, as a synonym for universal jurisdiction; In moral philosophy, the first formulation of Kant's ...
In Aristotle's view, universals are incorporeal and universal, but only exist only where they are instantiated; they exist only in things. [1] Aristotle said that a universal is identical in each of its instances. All red things are similar in that there is the same universal, redness, in each thing.
Works of art use materials that come from a public world, and they awaken new perceptions of the meanings of that world, connecting the universal and the individual organically. The work of art is representative, not in the sense of literal reproduction, which would exclude the personal, but in that it tells people about the nature of their ...
In works of art, literature, and narrative, a symbol is a concrete element like an object, character, image, situation, or action that suggests or hints at abstract, deeper, or non-literal meanings or ideas. [1] [2] The use of symbols artistically is symbolism. In literature, such as novels, plays, and poems, symbolism goes beyond just the ...