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A mandala, (Sanskrit: मण्डल, romanized: maṇḍala, lit. 'circle', [ˈmɐɳɖɐlɐ] ) is a geometric configuration of symbols. In various spiritual traditions, mandalas may be employed for focusing attention of practitioners and adepts, as a spiritual guidance tool, for establishing a sacred space and as an aid to meditation and ...
The Nāsadīya Sūkta (after the incipit ná ásat, or "not the non-existent"), also known as the Hymn of Creation, is the 129th hymn of the 10th mandala of the Rigveda (10:129). It is concerned with cosmology and the origin of the universe. [1] The Nāsadīya Sūkta has been the subject of extensive scholarly attention.
Bhavachakra, "wheel of life," [a] consists of the words bhava and chakra.. bhava (भव) means "being, worldly existence, becoming, birth, being, production, origin". [web 1]In Buddhism, bhava denotes the continuity of becoming (reincarnating) in one of the realms of existence, in the samsaric context of rebirth, life and the maturation arising therefrom. [2]
Max Muller described the character of the Vedic hymns as a form of henotheism, in which "numerous deities are successively praised as if they were one ultimate God." [2] According to Graham, in the Vedic society it was believed that humans could contact the gods through the spoken utterances of the Vedic seers, and "the One Real" (ekam sat) in 1.164.46 refers to Vāc, both "speech" and goddess ...
[1] [2] Bindu is the point around which the mandala is created, representing the Universe. [3] Bindu is often merged with [seed] (or sperm) and ova. In the Yogachudamani Upanishad Bindu is a duality, with a white Bindu representing shukla (pure) and a red Bindu representing maharaj .
The subjects of the hymns cover a wider spectrum than in the other books, dedicated not only to deities or natural phenomena, including deities that are not prominent enough to receive their own hymns in the other books (Nirrti 10.59, Asamati 10.60, Ratri 10.127, Aranyani 10.146, Indrani 10.159), but also to objects like dice (10.34), herbs (10.97), press-stones (for Soma, 10.94, 175) and ...
II-VI Three chapters on the mandala of the Body Mystery with detailed instruction on the laying out of the mandala and the abhiṣekha ritual. This mandala is also known as the Mandala of the Womb Realm (Sanskrit : Garbhakosha). VII-IX Three miscellaneous chapters originally at the end of the text. They are at the end in the Chinese version.
The Nadistuti Sukta (Sanskrit: नदीस्तुति सूक्तम्; IAST: Nadīstuti Sūktam), is the 75th hymn (sukta) of 10th Mandala [1] of the Rigveda. Nadistuti sukta is important for the reconstruction of the geography of the Vedic civilization .