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"The Joker and the Queen" is a song written and produced by English singer-songwriter Ed Sheeran, alongside his collaborators Johnny McDaid, Fred and Sam Romans. [1] After writing "Bad Habits", Sheeran thought that he finished writing for the day before Fred played him a piano instrumental created by Romans, which Fred found "very beautiful" but was never able to expand it into a song.
She did it last year by joining a remix of Haim’s “Gasoline,” and she’s doing it now, in a higher-profile way, by lending not just her voice but some new lyrics to Ed Sheeran’s romantic ...
The Joker driving the stolen truck, The Clown, meets with The Comedian and The Criminal to discuss their plan to set up chemical vats and find candidates in order to create a fourth new Joker. Batman, Batgirl, and Red Hood's investigations lead them to an aquarium where they encounter The Clown, who Batman subdues and leaves for Batgirl and Red ...
Alexis Taylor gave an explanation about the use of the line, "You're my number one guy" in the song, and also explained how it visually impacted the music video (Taylor is dressed as the Joker): "I really like this line in the first Batman film, not the very first one that was made, but the first Tim Burton Batman film.
"Partyman" is a song by American musician Prince from his 1989 Batman album, and the follow-up to his number one hit, "Batdance". [1] The song is one of the few on the album to be prominently featured in the film, accompanying the scene in which the Joker and his minions deface exhibits in the Gotham City Art Museum before meeting Vicki Vale.
The Joker and Harley Quinn are set to serenade audiences in “Joker: Folie à Deux,” but if, and how many original songs will be included in the film, is a mystery. Insiders privy to filming ...
Batman Forever, compilation of songs by various artists from and inspired by the 1995 film "Hold Me, Thrill Me, Kiss Me, Kill Me", song recorded by U2 for Batman Forever "Kiss from a Rose", song recorded by Seal for Batman Forever; Batman Forever, album of Elliot Goldenthal's score for the 1995 film
Joaquin Phoenix, Lady Gaga and co-writer-director Todd Phillips bend the architecture of the comic-book origin story toward a musical, not all that tunefully.