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"(I Can't Get No) Satisfaction" is a song by the English rock band the Rolling Stones. A product of Mick Jagger and Keith Richards' songwriting partnership, it features a guitar riff by Richards that opens and drives the song. The riff is widely considered one of the greatest hooks of all time.
'(I Can't Get No) Satisfaction' by the Rolling Stones. On May 7, 1965, Keith Richards laid the foundation for the Rolling Stones staple "(I Can't Get No) Satisfaction" in what would be one of the ...
Like many of the group's other songs, "I Like to Rock" is sung by Myles Goodwyn, accompanied by blues rock electric guitar and hard rock sounds. The final verse of the song includes the main guitar riffs to the Beatles' "Day Tripper" and the Rolling Stones' "(I Can't Get No) Satisfaction" played simultaneously, in tribute to these bands.
"Honky Tonk Women" is a song by the English rock band the Rolling Stones. It was released as a non-album single in July 1969 in the United Kingdom, and a week later in the United States (a country version called "Country Honk" was later included on the album Let It Bleed).
"You Can't Always Get What You Want" is a song by the English rock band the Rolling Stones from their 1969 album Let It Bleed. Written by Mick Jagger and Keith Richards , it was named as the 100th greatest song of all time by Rolling Stone magazine in its 2004 list of the " 500 Greatest Songs of All Time " before dropping a place the following ...
Returning the compliment, Redding covered the Rolling Stones song "(I Can't Get No) Satisfaction", written by Mick Jagger and Keith Richards. Aretha Franklin covered the song on her 1972 album Young, Gifted And Black. [7]
The phrasing of the Rolling Stones' song "Satisfaction" is a good example of syncopation. [5] It is derived here from its theoretic unsyncopated form, a repeated trochee (¯ ˘ ¯ ˘). A backbeat transformation is applied to "I" and "can't", and then a before-the-beat transformation is applied to "can't" and "no". [7]
He gave “(I Can’t Get No) Satisfaction” its thrust. And then there’s “Sympathy For the Devil”’s chilling and immortal guitar line, the wail of “Winter,” the ache of “Angie.”