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Hyperbole (/ h aɪ ˈ p ɜːr b əl i / ⓘ; adj. hyperbolic / ˌ h aɪ p ər ˈ b ɒ l ɪ k / ⓘ) is the use of exaggeration as a rhetorical device or figure of speech.In rhetoric, it is also sometimes known as auxesis (literally 'growth').
Colloquialism (also called colloquial language, colloquial speech, everyday language, or general parlance) is the linguistic style used for casual and informal communication.
For example, "I" may be a pronoun or a Roman numeral; "to" may be a preposition or an infinitive marker; "time" may be a noun or a verb. Also, a single spelling can represent more than one root word. For example, "singer" may be a form of either "sing" or "singe". Different corpora may treat such difference differently.
Anadiplosis – repeating the last word of one clause or phrase to begin the next. Analogy – the use of a similar or parallel case or example to reason or argue a point. Anaphora – a succession of sentences beginning with the same word or group of words. Anastrophe – inversion of the natural word order.
The Well-Spoken Thesaurus by Tom Heehler (Sourcebooks 2011), is an American style guide and speaking aid. The Chicago Tribune calls The Well-Spoken Thesaurus "a celebration of the spoken word". [1] The book has also been reviewed in the Winnipeg Free Press, [2] and by bloggers at the Fayetteville Observer, [3] and the Seattle Post-Intelligencer ...
"Wandering planet" – the word planet comes from the Greek word 'πλανήτης (planḗtēs), which itself means "wanderer". "If you know, you know", a common English phrase. "A pair of two"; by its nature, a pair is two items, so "a pair of two" is redundant. "What's for you won't go by you", a Scottish proverb that is tautological
The word can be traced to incel-centric online forums from as early as 2016 where members, mostly men, discuss how to maintain dominant social status using their appearances. MEWING: b.
"There's no vivid world where every character speaks in one-line, three-word sentences," he notes. [28] There is a danger that the avoidance of prolixity can produce writing that feels unnatural or sterile. Physicist Richard Feynman has spoken out against verbosity in scientific writing. [29]