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Terpsichore on an antique fresco from Pompeii. In Greek mythology, Terpsichore (/ t ər p ˈ s ɪ k ər iː /; Ancient Greek: Τερψιχόρη, "delight in dancing") is one of the nine Muses and goddess of dance and chorus. She lends her name to the word "terpsichorean", which means "of or relating to dance".
Linus was said [23] to have been the son of Apollo and one of the Muses, either Calliope or Terpsichore or Urania. Rhesus was the son of Strymon and Calliope or Euterpe. The sirens were the children of Achelous and Melpomene or Terpsichore. Kleopheme was the daughter of Erato and Malos. Hyacinth was the son of Clio, according to an unpopular ...
Terpsichore is mentioned in master poet Tony Harrison's 1992 Film-Poem The Gaze of the Gorgon: 'Terpsichore, the Muse who sees, her dances done by amputees' Terpsichore features in the 1997 Walt Disney Pictures film Hercules, appearing alongside the muses Calliope, Clio, Melpomene and Thalia, who collectively serve as a Greek chorus.
Terpsichore, one of the Nine Muses of Olympus, is annoyed that popular Broadway producer Danny Miller is putting on a play which portrays the Muses as man-crazy tarts fighting for the attention of a pair of Air Force pilots who crashed on Mount Parnassus. She asks permission from Mr. Jordan to go to Earth and fix the play.
Melpomene is one of the nine Muses, the Muse of tragedy. [4] [5] Hesiod, Apollodorus, and Diodorus Siculus all held that Melpomene was the daughter of Zeus and Mnemosyne. She was the sister of the other Muses, Calliope, Clio, Erato, Euterpe, Polyhymnia, Terpsichore, Thalia, and Urania. [4]
Euterpe was born as one of the daughters of Mnemosyne, Titan goddess of memory, and fathered by Zeus, god of the gods.Her sisters include Calliope (muse of epic poetry), Clio (muse of history), Melpomene (muse of tragedy), Terpsichore (muse of dancing), Erato (muse of erotic poetry), Thalia (muse of comedy), Polyhymnia (muse of hymns), and Urania (muse of astronomy).
Terpsichore, or Terpsichore, Musarum Aoniarum, is a compendium of more than 300 instrumental dances published in 1612 by the German composer Michael Praetorius. The collection takes its name from the muse of dance. In his introduction Praetorius takes credit for arranging the music rather than composing the tunes.
Erato is the Muse of lyric poetry, particularly erotic poetry, and mimic imitation. In the Orphic hymn to the Muses, it is Erato who charms the sight. Since the Renaissance she has mostly been shown with a wreath of myrtle and roses, holding a lyre, or a small kithara, a musical instrument often associated with Apollo. [2]