Search results
Results from the WOW.Com Content Network
Lamentation (The Mourning of Christ) is a fresco painted c.1305 by the Italian artist Giotto as part of his cycle of the Life of Christ on the interior walls of the Scrovegni Chapel in Padua, Italy. [1] The Scrovegni Chapel was built as a private chapel next to the Eremitani Monastery by the wealthy Scrovegni family and consecrated in 1305.
It was followed by Giotto's Proto-Renaissance scheme at Padua and many others ranging from Benozzo Gozzoli's Magi Chapel for the Medici to Michelangelo's supreme accomplishment for Pope Julius II at the Sistine Chapel. Giotto painted the large, free-standing Scrovegni Chapel in Padua with the Life of the Virgin and the Life of Christ. Breaking ...
Lamentation by Giotto, 1305. The Lamentation of Christ [1] is a very common subject in Christian art from the High Middle Ages to the Baroque. [2] After Jesus was crucified, his body was removed from the cross and his friends mourned over his body. This event has been depicted by many different artists.
Two of the works in Munich, the Last Supper and the Crucifixion. The Life of Christ is a series of seven paintings in tempera and gold on panel, attributed to Giotto and dating to around 1320–1325.
Giotto's work thus falls in the period from 25 March 1303 to 25 March 1305. Model of the interior of the chapel, towards entrance Towards the apse and altar. Giotto, who was born around 1267, was 36–38 years old when he worked at Enrico Scrovegni's chapel.
The Lamentation of Christ by circle of Rubens (Alte Pinakothek) Lament over the Dead Christ (Veronese) The Lamentation of Christ (Anthony van Dyck, Alte Pinakothek) Lamentation (Annibale Carracci) Lamentation (The Mourning of Christ) Lamentation of Christ (Dürer, Nuremberg) Lamentation of Christ (Bouts) Life of Christ (Giotto)
Padua Crucifix (c. 1300-1305). The Padua Crucifix (Italian: Crocifisso di Padova) is a painting in tempera on poplar panel by Giotto of c. 1303–1305. [1] Originally hanging in the centre of the Scrovegni Chapel in Padua, above the latticework of the iconostasis, it was probably contemporaneous with his frescoes in the same chapel. [2]
Aging; Architecture; Art; Astrosociology; Body; Criminology; Consciousness; Culture; Death; Demography; Deviance; Disaster; Economic; Education; Emotion ...