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In keeping with the political climate of the 19th and 20th centuries, Latter-Day Saint founder Joseph Smith envisioned Jesus as white, as reflected in Latter-Day Saint texts and portrayals of Jesus. Mary, mother of Jesus is also described in First Nephi, a Latter-Day document, as "a virgin, and she was exceedingly fair and white" (1 Nephi 11:13 ...
The hair on his head were white like wool, and his eyes were like blazing fire. His feet were like burnt bronze glowing in a furnace (...) His face was like the sun shining in all its brilliance" (Revelation 1:12–16, NIV). Use in art of the Revelation description of Jesus has generally been restricted to illustrations of the book itself, and ...
Jesus is also described as being white as snow in Revelation 1:14. [7] The color white symbolizes purity in both the Old and New Testaments, a reflection of the culture in that period. Jewish rabbis, Egyptian priests, and pious worshippers were all normally clad in white in this period. [8]
Raphael's use of color in the "Transfiguration of Jesus" reflects this tradition, as he employs vivid hues to symbolize the divine light that surrounds Christ during his transfiguration. The brilliant white of Christ's robes, the golden-yellow of his halo, and the bright blue of the sky behind him all serve to emphasize the ethereal nature of ...
Jesus [d] (c. 6 to 4 BC – AD 30 or 33), also referred to as Jesus Christ, [e] Jesus of Nazareth, and many other names and titles, was a first-century Jewish preacher and religious leader. [10] He is the central figure of Christianity , the world's largest religion .
The White Crucifixion is a painting by Marc Chagall depicting the Crucifixion of Jesus. It was painted in 1938 after Chagall had visited Europe, and is in the permanent collection of the Art Institute of Chicago .
The Nativity of Jesus has been a major subject of Christian art since the 4th century. The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and
Homeless Jesus, also known as Jesus the Homeless (French: Jésus le sans-abri), is a bronze sculpture by Timothy Schmalz depicting Jesus as a homeless person, sleeping on a park bench. The original sculpture was installed in 2013 at Regis College , a theological college federated with the University of Toronto .