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High fire ceramic with traditional designs at the Museo Regional de la Ceramica, Tlaquepaque.. Ceramics of Jalisco, Mexico has a history that extends far back in the pre Hispanic period, but modern production is the result of techniques introduced by the Spanish during the colonial period and the introduction of high-fire production in the 1950s and 1960s by Jorge Wilmot and Ken Edwards.
[2] [7] The museum’s permanent collection offers a view of the regional ceramics and the history of its development. [1] It contains pieces from the 17th and 18th centuries along pieces from contemporary masters. [5] The Valley of Atemajac area is known for a number of pottery styles including a number exclusive to it. These include bandera ...
This advanced pottery was introduced in the mid 20th century and is principally produced in Tlaquepaque and Tonalá. [1] The state's long history of fine pottery production has resulted in a number of highly notable ceramicists. The Pablo Jimón family is noted for bruñido work, especially jars and "pomegranate" pieces. Amado Galvan makes ...
Tonalá (Spanish pronunciation:) is a city and municipality within the Guadalajara Metropolitan Area in the state of Jalisco in Mexico. With a population of 442,440, it is the fourth largest city in the state, the other three being the other major population centres in the metro area: Guadalajara, Zapopan, and Tlaquepaque.
Barro negro (black clay) pottery is a style of pottery distinguished by its color, sheen and unique designs, and is most often associated with the town of San Bartolo Coyotepec. [35] The origins of this pottery style extends as far back as the Monte Albán period and for almost all of its history, had been available only in a matte grayish ...
The name Tlaquepaque derives from Nahuatl and means "place above clay land". The area is famous for its pottery and blown glass. Before the Spaniards arrived on these lands, the Toluquilla, Zalatitán, Coyula, Tateposco, Tlaquepaque, Tapechi (Tepetitlán), and Tequepexpan, formed with Tonalá a kingdom, ruled by a woman named Cihualpilli ...
This work is intricate and time-consuming, which has made it expensive and hard to find. His family began making this pottery in the mid 19th century, and the artisan has continued the tradition, teaching his children as well as others. [1] [3] Bernabe Campechano continues to work in his workshop in Tonalá, along with his children.
This technique of burnishing and firing only once is reminiscent of pre Hispanic pottery. [ 1 ] [ 2 ] He has exhibited his work at the Museo Nacional de la Cerámica in Tonalá and received various awards in both Mexico and abroad including the 2002 Galardón Presidencial of the Premio Nacional de la Cerámica in Tlaquepaque .