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The armchair was the first one-piece plastic chair whose surface was left uncovered and not upholstered. [1] In 1950, Zenith began mass-producing the fiberglass shell armchairs for Herman Miller, who offered them for sale that year. The fiberglass armchair was included in the collection of the Museum of Modern Art in 1950. [5]
The collection has been in continuous production since its introduction, highlighting the ever-growing interest by collectors of mid-century modern design. (Knoll has brought back the previously discontinued large "Easy" chair and ottoman, but the loveseat remains discontinued.) In 1973, Knoll introduced The Platner Executive Office Collection.
Introduced in 1956, the Eames Lounge Chair was designed by Charles and Ray Eames and is made of molded plywood and leather. It was the first chair the Eameses designed for the high-end market. The Eames Lounge Chair and Ottoman are part of the permanent collection of New York's Museum of Modern Art. [1]
Butler, Cornelia and Alexandra Schwartz eds. Modern Women: Women Artists at the Museum of Modern Art, 220–224. New York : Museum of Modern Art, 2010. Caplan, Ralph, "Connections: The Work of Charles and Ray Eames". Los Angeles: UCLA, 1976. Rago, David and John Sollo. Collecting Modern: a guide to mid-century furniture and collectibles. Gibbs ...
This accent chair from Drew Barrymore's collection looks 'way more expensive' than it is — and it's on rare sale at Walmart Ellie Conley Updated February 6, 2024 at 11:01 AM
Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was present in all the world, but more popular in North America, Brazil and Europe from roughly 1945 to 1970 during the United States's post-World War II period.
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