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Ancient Greek music is basically vocal: the melodies, including the instruments, were mostly limited to the scope of the human voice. The melodies performed on the "many-stringed" psaltery must also have remained within these limits; the range of several octaves could be used to double the melody in octave parallels, or perhaps to echo the ...
The xylophone (from Ancient Greek ξύλον (xúlon) 'wood' and φωνή (phōnḗ) 'sound, voice'; [1] [2] lit. ' sound of wood ') is a musical instrument in the percussion family that consists of wooden bars struck by mallets.
Greek musical instruments were grouped under the general term "all developments from the original construction of a tortoise shell with two branching horns, having also a cross piece to which the stringser from an original three to ten or even more in the later period, like the Byzantine era". Greek musical instruments can be classified into ...
The psaltery of Ancient Greece was a harp-like stringed instrument.The word psaltery derives from the Ancient Greek ψαλτήριον (psaltḗrion), "stringed instrument, psaltery, harp" [3] and that from the verb ψάλλω (psállō), "to touch sharply, to pluck, pull, twitch" and in the case of the strings of musical instruments, "to play a stringed instrument with the fingers, and not ...
The earliest reference to the word "lyre" is the Mycenaean Greek ru-ra-ta-e, meaning "lyrists" and written in the Linear B script. [5] In classical Greek, the word "lyre" could either refer specifically to an amateur instrument, which is a smaller version of the professional cithara and eastern-Aegean barbiton, or "lyre" can refer generally to all three instruments as a family. [6]
Cylix of Apollo with the chelys lyre, on a 5th-century BC drinking cup (). The chelys or chelus (Greek: χέλυς, Latin: testudo, both meaning "turtle" or "tortoise"), was a stringed musical instrument, the common lyre of the ancient Greeks, which had a convex back of tortoiseshell or of wood shaped like the shell.
Ancient kings playing an organistrum at the Pórtico de la Gloria in the Catedral de Santiago de Compostela in Santiago de Compostela, Spain. The hurdy-gurdy is generally thought to have originated from fiddles in either Europe or the Middle East (e.g., the rebab instrument) before the eleventh century A.D. [2] The first recorded reference to fiddles in Europe was in the 9th century by the ...
Long String Instrument, (by Ellen Fullman, strings are rubbed in, and vibrate in the longitudinal mode) Magnetic resonance piano , (strings activated by electromagnetic fields) Stringed instruments with keyboards