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Narasimha Nakha Stuti; Nārāyaṇa Sūktam; Nasadiya Sūktam; Puruṣa Sūktam [1] Śrī Sūktam; Vishwakarma Sūktam; Ā no Bhadrāh Sūktam; Bhagya Sūktam / Pratah Sūktam; Brahmanaspati Sūktam; Dhruva Sūktam; Durga Sūktam; Ganapati Sūktam / Ganesha Sūktam; Gosamūha Sūktam; Gostha Sūktam; Hanumana Sūktam; Krityapaharana Sūktam ...
Vatapi Ganapatim praises the god Ganesha "Vatapi Ganapatim" is a part of the series of hymns called Shodasha Ganapati kritis, a collection of songs dedicated to sixteen Ganesha icons located in shrines around Dikshitar's birthplace Thiruvarur. [1]
They are typically in a slower speed (chowka kala). He is also known by his signature name of Guruguha which is also his mudra (and can be found in each of his songs). [1] His compositions are widely sung and played in classical concerts of Carnatic music. Muthuswami Dikshitar composed many kritis in groups.
The Stuti Chintamani is a piece of devotional literature attributed to Mahima Dharma. The 45th song was written by Bhima Bhoi. Lyrics to 45th Song Oh preceptor, oh ...
Ganesha as Mayureshwara with consorts Riddhi and Siddhi, Morgaon.Samarth Ramdas composed the arati inspired by Mayureshwara. Sukhakarta Dukhaharta (literally "harbinger of happiness and dispeller of distress", [1] Marathi: सुखकर्ता दु:खहर्ता, sukhakartā duḥkhaharta), also spelled as Sukhkarta Dukhharta, is a popular Marathi arati, song or bhajan (devotional ...
The Ganesha Sahasranama, found in the Ganesha Purana. [19] [20] The Hanuman Sahasranama, is a Hanuman stotra told by Valmiki. Its origin is unknown, but it is often attributed to the deity Rama. [21] Tantrikas chant the Bhavani Nāma Sahasra Stuti and the Kali Sahasranāma.
The Ganesha Pancharatnam is a stotra composed by Adi Shankara in the 8th century on the Hindu deity Ganesha. [1] Ganesha is referred to by his epithet of Vinayaka in the strota, and the title itself can be translated as "The five jewels in praise of Ganesha".
Sāmānya gītaṃ: the simple song and it is also called sādhāraṇa gītaṃ or sancāri gītaṃ. Lakshaṇa gītaṃ : the sāhityaṃ (lyrics), instead of praising God, enumerates in so many words, the lakshana of the raga, in which it is composed-giving among other details, its vakra svarā, graha, nysa, aṃśa svarā and its parent ...