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The following is a list of books of poetry by T. S. Eliot arranged chronologically by first edition. ... What the Thunder Said: T. S. Eliot; T. S. Eliot at Faber and ...
"The Fire Sermon" offers a philosophical meditation in relation to self-denial and sexual dissatisfaction; "Death by Water" is a brief description of a drowned merchant; and "What the Thunder Said" is a culmination of the poem's previously exposited themes explored through a description of a desert journey. [7]
The depiction of Jews in some of Eliot's poems has led several critics to accuse him of antisemitism, most forcefully Anthony Julius in his book T. S. Eliot, Anti-Semitism, and Literary Form (1996). [ 110 ] [ 111 ] In " Gerontion ", Eliot writes, in the voice of the poem's elderly narrator, "And the jew squats on the window sill, the owner [of ...
The title of the novel is a phrase from T. S. Eliot's The Waste Land, [7] which appears at line 386 of "What the Thunder Said", part V of the poem: [8] In this decayed hole among the mountains In the faint moonlight, the grass is singing
Topics include Eliot's opinions of many literary works and authors, including William Shakespeare's play Hamlet, and the poets Dante Alighieri and William Blake. [ 1 ] One of his most important prose works, " Tradition and the Individual Talent ", which was originally published in two parts in The Egoist , is a part of The Sacred Wood .
T. S. Eliot in 1934. Burnt Norton is the first poem of T. S. Eliot's Four Quartets.He created it while working on his play Murder in the Cathedral, and it was first published in his Collected Poems 1909–1935 (1936).
T. S. Eliot in 1920, in a photo taken by Lady Ottoline Morrell. In 1925, Eliot became a poetry editor at the London publishing firm of Faber and Gwyer, Ltd., [4]: pp.50–51 after a career in banking, and subsequent to the success of his earlier poems, including "The Love Song of J. Alfred Prufrock" (1915), "Gerontion" (1920) and "The Waste Land" (1922). [5]
The critical tools which Eliot was accustomed to use did not seem to work. 16-17 He said that "most of us" (i.e. poets) were interested in form for its own sake, and with musical structure in poetry, leaving any deeper meaning to emerge from a lower level; in contrast to Kipling, whose poems were designed to elicit the same response from all ...
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