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In rhetoric, epizeuxis, also known as palilogia, is the repetition of a word or phrase in immediate succession, typically within the same sentence, for vehemence or emphasis. [ 1 ] [ 2 ] A closely related rhetorical device is diacope , which involves word repetition that is broken up by a single intervening word, or a small number of ...
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
Epizeuxis: repetition of a single word, with no other intervening words. Hendiadys: use of two nouns to express an idea when it normally would consist of an adjective and a noun. Hendiatris: use of three nouns to express one idea. Homeoteleuton: words with the same ending. Hypallage: a transferred epithet from a conventional choice of wording. [9]
In music, a canzonetta (Italian pronunciation: [kantsoˈnetta]; pl. canzonette, canzonetti or canzonettas) is a popular Italian secular vocal composition that originated around 1560. Earlier versions were somewhat like a madrigal but lighter in style—but by the 18th century, especially as it moved outside of Italy, the term came to mean a ...
The English Pronouncing Dictionary (EPD) was created by the British phonetician Daniel Jones and was first published in 1917. [1] It originally comprised over 50,000 headwords listed in their spelling form, each of which was given one or more pronunciations transcribed using a set of phonemic symbols based on a standard accent.
The canzona is an Italian musical form derived from the Franco-Flemish and Parisian chansons, [1] and during Giovanni Gabrieli's lifetime was frequently spelled canzona, though both earlier and later the singular was spelled either canzon or canzone with the plural canzoni.
An example of buffering in Lojban is that if a speaker finds the cluster [ml] in the word mlatu (' cat ') (pronounced ['mlatu]) hard or impossible to pronounce, the vowel [ɐ] can be pronounced between the two consonants, resulting in the form [mɐˈlatu]. Nothing changes grammatically, including the word's spelling and the syllabication.
Thumri is also used as a generic name for some other, even lighter, forms such as Dadra, Hori, Kajari, Sawani, Jhoola, and Chaiti, even though each of them has their own structure and content — either lyrical or musical or both—and so the exposition of these forms vary. Like Indian classical music itself, some of these forms have their ...