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Sagona's The Prisoner is a cycle about co-dependence exhibited at the Fondaco Gallery, Rome, in connection with the 13th edition of the Rome Film Fest. As Claire Messud writes in the essay on this work, “Codependent love entails a passionate devotion to the unrequited, a desire for self-abnegation. Its ironies are rife: how readily we give of ...
Robert Stam (born October 29, 1941) is an American film theorist working on film semiotics. He is a professor at New York University, where he teaches about French New Wave filmmakers. [1] Stam has published widely on French literature, comparative literature, and on film topics such as film history and film theory.
David Jay Bordwell (/ ˈ b ɔːr d w əl /; July 23, 1947 – February 29, 2024) was an American film theorist and film historian. [1] After receiving his PhD from the University of Iowa in 1973, he wrote more than fifteen volumes on the subject of cinema including Narration in the Fiction Film (1985), Ozu and the Poetics of Cinema (1988), Making Meaning (1989), and On the History of Film ...
Formalist film theory is an approach to film theory that is focused on the formal or technical elements of a film: i.e., the lighting, scoring, sound and set design, use of color, shot composition, and editing. This approach was proposed by Hugo Münsterberg, Rudolf Arnheim, Sergei Eisenstein, and Béla Balázs. [1]
Art – aesthetic expression for presentation or performance, and the work produced from this activity. One of the arts – as an art form, film is an outlet of human expression, that is usually influenced by culture and which in turn helps to change culture. Film is a physical manifestation of the internal human creative impulse.
Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is an extremely important tool when attempting to intrigue a viewer.
A statue of Kim Il-sung at the Pyongyang Film Studios. On the Art of the Cinema reformulated many ideas of Kim Il-sung on art to be specific to cinema.. After graduating from Kim Il Sung University in 1964, Kim Jong Il devoted himself to cultural, ideological and propaganda work at the Department of Organization and Guidance of the Central Committee of the party. [8]
Panofsky begins his essay by identifying two features that distinguish “film art” (see : art cinema) from preceding forms of art: first, film art was the only art whose beginnings were witnessed by people alive at the time of the essay’s composition (1934); second, whereas preceding arts were formed by “an artistic urge that gave rise to the discovery and gradual perfection of a new ...
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