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David Jay Bordwell (/ ˈ b ɔːr d w əl /; July 23, 1947 – February 29, 2024) was an American film theorist and film historian. [1] After receiving his PhD from the University of Iowa in 1973, he wrote more than fifteen volumes on the subject of cinema including Narration in the Fiction Film (1985), Ozu and the Poetics of Cinema (1988), Making Meaning (1989), and On the History of Film ...
Robert Stam (born October 29, 1941) is an American film theorist working on film semiotics. He is a professor at New York University, where he teaches about the French New Wave filmmakers. [1] Stam has published widely on French literature, comparative literature, and on film topics such as film history and film theory.
Art – aesthetic expression for presentation or performance, and the work produced from this activity. One of the arts – as an art form, film is an outlet of human expression, that is usually influenced by culture and which in turn helps to change culture. Film is a physical manifestation of the internal human creative impulse.
Formalist film theory is an approach to film theory that is focused on the formal or technical elements of a film: i.e., the lighting, scoring, sound and set design, use of color, shot composition, and editing. This approach was proposed by Hugo Münsterberg, Rudolf Arnheim, Sergei Eisenstein, and Béla Balázs. [1]
12 October 2000 24 January 2019 (2nd ed.) Past Masters series, 1997: Philosophy/Biography 026: Ancient philosophy: Julia Annas: 12 October 2000 November 2023 (2nd ed.) Classical Studies/Philosophy 027: Socrates: C. C. W. Taylor: 12 October 2000 22 August 2019 (2nd ed.) Past Masters series, 1998: Classical Studies/Philosophy/Biography 028: Marx ...
Panofsky begins his essay by identifying two features that distinguish “film art” (see : art cinema) from preceding forms of art: first, film art was the only art whose beginnings were witnessed by people alive at the time of the essay’s composition (1934); second, whereas preceding arts were formed by “an artistic urge that gave rise to the discovery and gradual perfection of a new ...
Heinrich Wölfflin (German: [ˈhaɪnʁɪç ˈvœlflɪn]; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. [1]
Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is an extremely important tool when attempting to intrigue a viewer.
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