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Probably the most famous part of the cycle, the Joy and clarity of the bodies glorious presents a unison, rhapsodic theme in the upper voice, interrupted by three chords played in the récit, is heard at the beginning of the movement over a receding fifth in the pedal. This is followed by a quieter middle section, in which the cromorne of the ...
Thomas Aquinas is shown here holding a book with an excerpt from the Pange Lingua. "Pange lingua gloriosi corporis mysterium" (Ecclesiastical Latin: [ˈpandʒe ˈliŋɡwa ɡloriˈosi ˈkorporis miˈsteri.um]) is a Medieval Latin hymn attributed to Saint Thomas Aquinas (1225–1274) for the Feast of Corpus Christi. [1]
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Sing, my tongue, the glorious battle; Sing the ending of the fray. Now above the cross, the trophy, Sound the loud triumphant lay: Tell how Christ, the world's redeemer, As a victim won the day. Tell how, when at length the fullness Of the appointed time was come, He, the Word, was born of woman, Left for us His Father's home,
Print/export Download as PDF; Printable version; In other projects ... "This is the day that the Lord hath made" and "O Glorious Love".
The hymn's lyrics refer to the heavenly host: "Thee we would be always blessing / serve thee with thy hosts above".. At its first appearance, the hymn was in four stanzas of eight lines (8.7.8.7.D), and this four-stanza version remains in common and current use to the present day, being taken up as early as 1760 in Anglican collections such as those by Madan (1760 and 1767), Conyers (1772 ...
(Occasion or theme: The Gospel footation.) 1873. Published in Snepp's Songs of Grace and Glory d: G., 1876. Worthy of all adoration. (Occasion or theme: Praise to Jesus as the Lamb upon the throne.) 26 February 1867, at Oakhampton. Published in Ministry of Song, 1869, and Life Mosaic, 1874. It is pt. iii. of the "Threefold Praise," and was ...
Amazing Grace. As an expression of the many Evangelical beliefs, Amazing Grace serves as an example: The first stanza (verse), for instance, expresses Newton's sense of past sinfulness, as a "wretch", but also conversion, from being "lost" and "blind" to "now I see". God's providence, and Cowper's sense of a close and personal relationship with ...