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"Phantom 309" is a song written by Tommy Faile and released as a single by Red Sovine in 1967. It was a minor hit, peaking at number nine on the Billboard Magazine Country chart. The lyrics are spoken, rather than sung.
Tommy Faile (September 15, 1928 – August 2, 1998) was an American songwriter and singer best known for composing "Phantom 309", singing "The Legend of the Brown Mountain Lights", his deep voice and comic onstage banter.
This story, told from the point of view of a friend of Teddy Bear's mother (who cared for the lad while the mother was at work), suggests that the boy's paraplegia is part of a terminal health condition, one that eventually kills him. The song's ending has a group of truck drivers attending the boy's funeral.
A Sinister Alphabet is the only studio album of Phantom 309, released in 1989 by Tupelo Recording Company. [1] Reception
[31] [32] He also began to sing at the Heritage; his set initially consisted largely of covers of Dylan and Red Sovine's "Phantom 309". [33] In time, he performed his own material as well, often parodies of country songs or bittersweet ballads influenced by his relationships; these included early songs "Ol' 55" and "I Hope That I Don't Fall in ...
Red Sovine released a version in 1967 called "Viet Nam Deck of Cards" on his album, Phantom 309. Because the United States was involved in the Vietnam War at the time, Sovine's version modified the lyrics to have the soldier's story take place there, instead of the original World War II setting.
Phantom 309 is an album by country music singer Woodrow Wilson Sovine, better known as Red Sovine, released by Starday Records in 1967 and re-released by Power Pak Records (the budget division of Gusto Records) in 1975 with the same track listing and album art. [1] There was also a compilation CD of the same name issued by Prism Leisure in 2001.
Phantom 309 was founded in 1988 and issued their debut album, titled A Sinister Alphabet in 1989 on Tupelo Recording Company. [2] It was produced by Jon Langford, known for his work with Mekons, Three Johns and The Waco Brothers, and featured artwork by renowned illustrator Edward Gorey, who allowed the band access to his work for $400. [1]
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