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Lady Killer (French: Gueule d'amour) is a 1937 French drama film directed by Jean Grémillon and starring Jean Gabin, Mireille Balin and Marguerite Deval.It has been classified as both a film noir [1] [2] and an entry into the poetic realist group of films of the late 1930s.
The Doorway to Hell is a 1930 American pre-Code crime film directed by Archie Mayo and starring Lew Ayres and James Cagney in his second film role. [2] [3] The film was based on the story A Handful of Clouds, written by Rowland Brown. The film's title was typical of the sensationalistic titles of many Pre-Code films. [4]
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
Many full-length films were produced in the 1930s. Sound films ("talkies") were a global phenomenon by the early 1930s. Advances in color film included Technicolor and Kodachrome. The year 1930 is the start of "the golden age of Hollywood", which through at least the 1940s. The studio system was at its height in
Title Director Cast Genre Notes À mi-chemin du ciel: Alberto Cavalcanti: Marguerite Moreno, Jean Mercanton: Drama [1]Accused, Stand Up! Maurice Tourneur: Charles Vanel, Gaby Morlay, André Roanne
Thunderbolt (also released as At The Gates of Death) is a 1929 American pre-Code proto-noir film directed by Josef von Sternberg and starring George Bancroft, Fay Wray, Richard Arlen, Tully Marshall and Eugenie Besserer. It tells the story of a criminal, facing execution, who wants to kill the man in the next cell for being in love with his ...
The Bat Whispers is a 1930 American pre-Code mystery film directed by Roland West, produced by Joseph M. Schenck, and released by United Artists.The film is based on the 1920 mystery play The Bat, written by Mary Roberts Rinehart and Avery Hopwood, and is the second film version by the same director, previously adapted in 1926.
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