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The term voodoo doll commonly refers to an effigy that is typically used for the insertion of pins. [1] Such practices are found in various forms in the magical traditions of many cultures around the world. [1] Despite its name, the voodoo doll is not prominent in the African diaspora religions of Haitian Vodou nor Louisiana Voodoo.
Haitian Vodou [a] (/ ˈ v oʊ d uː /) is an African diasporic religion that developed in Haiti between the 16th and 19th centuries. It arose through a process of syncretism between several traditional religions of West and Central Africa and Roman Catholicism. There is no central authority in control of the religion and much diversity exists ...
The term Voodoo doll commonly describes an effigy into which pins are inserted. [5] Such practices are found in various forms in the magical traditions of many cultures around the world. [5] Although the use of the term Voodoo implies that the practice is linked to Haitian Vodou or Louisiana Voodoo, the voodoo doll is not prominent in either. [5]
During the closing decades of the 20th century, attempts were made to revive Louisiana Voodoo, often by individuals drawing heavily on Haitian Vodou and Cuban Santería in doing so. [98] Among those drawing on both Vodou lwa and Santería oricha to create a new Voodoo was the African American Miriam Chamani , who established the Voodoo ...
Haitian Vodou, a syncretic religion practiced chiefly in Haiti Haitian Vodou in Cuba; Hoodoo (spirituality), sometimes called Gullah Voodoo or Lowcountry Voodoo; Louisiana Voodoo, or New Orleans Voodoo, a set of African-based spiritual folkways; Trinidadian Vodunu, a syncretic religion practiced in Trinidad and Tobago
Some academics argue the term ‘voodoo’ is rooted in anti-Black racism Marianne Williamson denies backing Trump over ‘eating pets’ smear against immigrants after saying ‘voodoo is real ...
The Haitian population of eastern Cuba would be continually replenished over the course of the 19th century and beyond, as Haitian migrants seeking better economic opportunities migrated there. [17] This grew dramatically in the early 20th century; between 1912 and 1916, annual migration of Haitians to Cuba rose from 8,784 to 79,274. [17]
Damballah La Flambeau, by the Haitian artist Hector Hyppolite. Damballa, also spelled Damballah, Dambala, Dambalah, among other variations (Haitian Creole: Danbala), is one of the most important of all loa, spirits in West African Vodun, Haitian Voodoo and other African diaspora religious traditions such as Obeah.
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