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"Sunroof" is a collaboration between Dazy and Youre, and was born from a voice memo that Dazy received from Youre. [7] Elaborating on the creation of their song, Youre has said, "I wanted to make a song that captured the feeling of excitement you get when you meet someone that you can't stop thinking about.
"Over My Head" is a song recorded by British-American rock band Fleetwood Mac for their self-titled 1975 album. The song was written by keyboardist and vocalist Christine McVie . "Over My Head" was the band's first single to reach the Billboard Hot 100 since " Oh Well ", ending a six-year dry spell on the American charts.
"Up Above My Head" is a gospel song of traditional origin, first recorded in 1941 (as "Above My Head I Hear Music In The Air") by The Southern Sons, a vocal group formed by William Langford of the Golden Gate Quartet. [1] In the version that is now the best-known, it was recorded in 1947 by Sister Rosetta Tharpe and Marie Knight as a duo.
"Over My Head", a song by King's X from Gretchen Goes to Nebraska "Over My Head", a song by Lit from the soundtrack of the film Titan A.E.
"Over My Head (Cable Car)" (originally performed simply as "Cable Car") is a song by American rock band the Fray. It was released in October 2005 as the lead single from their debut album How to Save a Life and from the soundtrack to the science fiction action film Stealth (2005).
"Over My Head" is composed of a synth-heavy chorus, an "addicting" melody, and a pronounced drum beat. [1] Critics noted the song's sound is more "evolved" and mature than previous releases. [2] The song is written in the key of F♯ minor, and follows a chord progression of D-Bm-F♯m (VI-iv-i). The tempo of the song is 105 beats per minute.
"Over My Head (Better Off Dead)" is a song by Canadian rock band Sum 41. It was released in June 2003 as the third and final single from their 2002 album Does This Look Infected? . An acoustic version of the song can be found on the European Single and on the Chuck Acoustic EP in 2005.
The piece would be noteworthy even if it lacked such an exquisite coda, but those last eight bars convey a sense of resigned closure to the song that fittingly matches the resolution of the lyrics.” [3] Gillespie's lyrics begin: "You go to my head and you linger like a haunting refrain".