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Kick-Ass (also known as Hit-Girl & Kick-Ass, or simply Hit-Girl) is a media franchise based on the adventures of superheroes of the same name, created by Mark Millar and John Romita Jr. Set in the Millarworld, it began in 2008 with Marvel's Kick-Ass – The Dave Lizewski Years, followed by the anthology Millarworld Annual from 2016 to 2017, two stand-alone sequel series, Kick-Ass – The New ...
The first volume of The Dave Lizewski Years, originally titled Kick-Ass, is set over the course of two years.Dave Lizewski, an otherwise ordinary New York City high school student, comic book fan, and the child of James Lizewski, a loving single father, and his deceased via brain hemorrhage mother, ponders the absence of costumed vigilantes in the real world while "some Armenian guy" in a ...
Synopsis: the first of the "Times Past" stories; this one recounts how the Shade moved to Opal City. This issue was pencilled by Kim Hagen, Bjarne Hansen, Christian Hojgaard, and Teddy H. Kristiansen; inked by Kristiansen; colored by Gregory Wright; and lettered by Ken Bruzenak, Bob Pinaha, and John Workman, Jr. [5]
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Rising Stars is a 24-issue comic book limited series written by J. Michael Straczynski about 113 people (called "Specials") born with special abilities following the appearance of a mysterious light in the sky above Pederson, Illinois. The series explores how society may react to the advent of superpowers, and how those who are Specials may ...
Epic Illustrated was a comics anthology in magazine format published in the United States by Marvel Comics.Similar to the US-licensed comic book magazine Heavy Metal, it allowed explicit content to be featured, unlike the traditional American comic books of that time bound by the restrictive Comics Code Authority, as well as offering its writers and artists ownership rights and royalties in ...
Issue 1 holds an 8.2 rating at Comic Book Roundup. [5] Greg McElhatton of Comic Book Resources gave issue #1 four out of five stars, calling it "Millar's strongest new comic in a long time." McElhatton praised out Millar's script, in particular the quiet tone of the 1932 sequence that piqued his interest, and the fight scene between Walter and ...
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