Search results
Results from the WOW.Com Content Network
Formal military hairstyles lasted until beyond the end of the 18th century and it was the French Revolution which spelled the end of wigs and powdered, greased hairstyles in modern, Western armies. Powdered hair and pigtails made a brief return during Napoleon 's reign, being worn by infantry of his Foot Grenadiers and Foot Chasseurs of the Old ...
The pouf or pouffe also "toque" (literally a thick cushion) is a hairstyle and a hairstyling support deriving from 18th-century France. It was made popular by the Queen of France , Marie Antoinette (1755–1793), when she wore it in June 1775 at the coronation of her husband Louis XVI , triggering a wave of French noblewomen to wear their hair ...
Glossary of 18th Century Costume Terminology; An Analysis of An Eighteenth Century Woman's Quilted Waistcoat by Sharon Ann Burnston Archived 2010-05-22 at the Wayback Machine; French Fashions 1700 - 1789 from The Eighteenth Century: Its Institutions, Customs, and Costumes, Paul Lecroix, 1876 "Introduction to 18th Century Men and Women's Fashion".
Pitt and members of Parliament wore powdered wigs; in 1795 the Parliament passed the Duty on Hair Powder Act which caused the demise of both the fashion for wigs and powder. The French Revolution (1789-1799) in France and the Pitt's hair powder tax in 1795 in Britain effectively ended the fashion for both wigs and powder in these countries and ...
A Titus cut or coiffure à la Titus was a hairstyle for men and women popular at the end of the 18th century in France and England. The style consisted of a short layered cut, typically with curls. [1] It was supposedly popularized in 1791 by the French actor François-Joseph Talma who played Titus in a Parisian production of Voltaire's Brutus ...
In the early 18th century, men's shoes continued to have a squared toe, but the heels were not as high. From 1720 to 1730, the heels became even smaller, and the shoes became more comfortable, no longer containing a block toe. The shoes from the first half of the century often contained an oblong buckle usually embedded with stones. [17]
The curls of the wig throughout the 1660s until 1700 were rather loose. Tighter curls would not make their appearance until after 1700. Every natural color of wig was possible. Louis XIV tended to favor a brown wig. His son, commonly referred to as Monseigneur, was well known for wearing blond wigs. Facial hair declined in popularity during ...
Adding vertical volume on top of the head, by combing the hair back and up above the forehead, is a trend that originated in women's hairstyles of the royal court in France, first in the 1680s, and again in the second half of the 18th century, long before and after Madame de Pompadour.