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Anne-Louis Girodet de Roussy-Trioson, Ossian receiving the Ghosts of the French Heroes (1800–02), Musée national de Malmaison et Bois-Préau, Château de Malmaison. In the visual arts, Romanticism first showed itself in landscape painting, where from as early as the 1760s British artists began to turn to wilder landscapes and storms, and Gothic architecture, even if they had to make do with ...
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
The terms "romance novel" and "historical romance" are ambiguous, because the words "romance", and "romantic", can have different meanings: for example, romance can refer to either romantic love, or "the character or quality that makes something appeal strongly to the imagination, and sets it apart from ... everyday life" and is associated with ...
William Wordsworth (pictured) and Samuel Taylor Coleridge helped to launch the Romantic Age in English literature in 1798 with their joint publication Lyrical Ballads. In English literature, the key figures of the Romantic movement are considered to be the group of poets including William Wordsworth, Samuel Taylor Coleridge, John Keats, Lord Byron, Percy Bysshe Shelley and the much older ...
Wanderer above the Sea of Fog [a] is a painting by German Romanticist artist Caspar David Friedrich made in 1818. [2] It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through which other ridges, trees, and mountains pierce, which stretches out into the distance indefinitely.
Mary Shelley's Frankenstein; or, The Modern Prometheus (1818) has come to define Gothic fiction in the Romantic period. Frontispiece to 1831 edition shown. Gothic fiction, sometimes called Gothic horror (primarily in the 20th century), is a loose literary aesthetic of fear and haunting.
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