Search results
Results from the WOW.Com Content Network
"On the Knocking at the Gate in Macbeth" is an essay in Shakespearean criticism by the English author Thomas De Quincey, first published in the October 1823 edition of The London Magazine. It is No. II in his ongoing series "Notes from the Pocket-Book of a Late Opium Eater" which are signed, "X.Y.Z.". [ 1 ]
This opinion recurs in critical literature, and, according to Caroline Spurgeon, is supported by Shakespeare himself, who apparently intended to degrade his hero by vesting him with clothes unsuited to him and to make Macbeth look ridiculous by several exaggerations he applies: his garments seem either too big or too small for him – as his ...
In the discussion of Macbeth, it is Macbeth's unity of character that is significant. [302] In many chapters, he emphasises the dominant mood, a unifying theme, the "character" of the play as a whole. [303] In, again, Macbeth, the entire play "is done upon a stronger and more systematic principle of contrast than any other of Shakespear's plays."
Grosser examples of the effect have been noted in literature ever since people started analyzing double plots and noticing echoing situations and spotting thematic common denominators and sustained patterns of imagery." Close Reading Without Readings. Harold Bloom, 1994: "...Shakespeare is the Canon. He sets the standard and the limits of ...
Proposals for printing a new edition of the plays of William Shakespeare, with notes, critical and explanatory, in which the text will be corrected: the various readings remarked: the conjuectures of former editors examined, and their omissions supplied. By the author of the Miscellaneous Observations on the Tragedy of Macbeth. [12]
Reviewing a production of Macbeth in Beijing in 1980, one Chinese critic, Xu Xiaozhong, praised Macbeth as the story of "how the greed for power finally ruined a great man". [35] Another critic, Zhao Xun, wrote: "Macbeth is the fifth Shakespearean play produced on the Chinese stage after the smashing of the Gang of Four. This play of conspiracy ...
This is that Brooks and the New Critics did not discount the study of the historical context of the literary work, nor its affective potential for the reader, nor its connection to the life experiences of the author. As he wrote in his essay The Formalist Critics, such study is valuable, but should not be confused with criticism of the work ...
Lionel Charles Knights (15 May 1906 – 8 March 1997) was an English literary critic, an authority on Shakespeare and his period. His essay How many children had Lady Macbeth? (1933) is a classic of modern criticism. He became King Edward VII Professor of English Literature at the University of Cambridge in 1965.