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  2. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    The following is a list of commonly used chord progressions in music. Code Major: Major: Minor: Minor: Atonal: Atonal: ... I–V–vi–IV chord progression in C: 4 ...

  3. List of variations on Pachelbel's Canon - Wikipedia

    en.wikipedia.org/wiki/List_of_variations_on...

    Johann Pachelbel's Canon in D major, written in the mid-Baroque period and revived from obscurity in the 1960s, has been credited with inspiring pop songs. Some pop songs borrow its chord progression, bass line, or melodic structure, a phenomenon attributed to the memorability and simplicity of the work.

  4. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    By thinking of this blues progression in Roman numerals, a backup band or rhythm section could be instructed by a bandleader to play the chord progression in any key. For example, if the bandleader asked the band to play this chord progression in the key of B ♭ major, the chords would be B ♭-B ♭-B ♭-B ♭, E ♭-E ♭-B ♭-B ♭, F-E ...

  5. Pachelbel's Canon - Wikipedia

    en.wikipedia.org/wiki/Pachelbel's_Canon

    Pachelbel's Canon (also known as the Canon in D, P 37) is an accompanied canon by the German Baroque composer Johann Pachelbel. The canon was originally scored for three violins and basso continuo and paired with a gigue, known as Canon and Gigue for 3 violins and basso continuo. Both movements are in the key of D major.

  6. Roman numeral analysis - Wikipedia

    en.wikipedia.org/wiki/Roman_numeral_analysis

    Using lead sheet chord names, these chords could be referred to as A minor, D minor, G major and C major. [ 1 ] In music theory , Roman numeral analysis is a type of harmonic analysis in which chords are represented by Roman numerals , which encode the chord's degree and harmonic function within a given musical key .

  7. D major - Wikipedia

    en.wikipedia.org/wiki/D_major

    In the Baroque period, D major was regarded as "the key of glory"; [1] hence many trumpet concertos were in D major, such as those by Johann Friedrich Fasch, Gross, Molter (No. 2), Leopold Mozart, Telemann (No. 2), and Giuseppe Torelli. Many trumpet sonatas were in D major, too, such as those by Corelli, Petronio Franceschini, Purcell, and

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