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The Marcy Playground song Vampires of New York on their debut album Marcy Playground (album) instructs the listener to "Come take in 8th street after dark". The New York anti-folk artist Jeffrey Lewis references St. Mark's Place in the song "Scowling Crackhead Ian" as the location in which Lewis and the eponymous Ian grew up and remain.
Glazed earthenware vase, Rookwood Pottery, ca. 1900. American art pottery (sometimes capitalized) refers to aesthetically distinctive hand-made ceramics in earthenware and stoneware from the period 1870-1950s. Ranging from tall vases to tiles, the work features original designs, simplified shapes, and experimental glazes and painting techniques.
111 Eighth Avenue occupies the full city block between Eighth and Ninth Avenues and 15th and 16th Streets in the Chelsea neighborhood of Manhattan, New York City. [1] The building, completed in 1932, was designed by Lusby Simpson of Abbott, Merkt & Co. [2] [3] The building is 15 stories tall and has 2.9 million square feet (270,000 m 2) of floor space, more than the Empire State Building; [4 ...
Glidden Pottery produced unique stoneware, dinnerware and artware in Alfred, New York from 1940 to 1957. The company was established by Glidden Parker, who had studied ceramics at the New York State College of Ceramics at Alfred University. [1] Glidden Pottery's mid-century designs combined molded stoneware forms with hand-painted decoration.
Grueby tile panel at the Astor Place subway station in the New York City Subway A Grueby Faience vase by Wilhelmina Post, made around 1910 A 1906 Grueby Faience vase. The Grueby Faience Company, founded in 1894, was an American ceramics company that produced distinctive American art pottery vases and tiles during America's Arts and Crafts Movement.
Mary K. Grant, prior to her marriage to Frederic, was the art director at R. H. Macy Co. in New York City. [1] The company agreed to have Mary Grant style the pottery lines of tableware and art ware; however at this time she would not hold an official position. The tableware and art ware lines were produced in solid color glazes.
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Rookwood also produced pottery in the Japonism trend, after Storer invited Japanese artist Kitaro Shirayamadani to come to Cincinnati in 1887 to work for the company. [7] Davis Collamore & Co., a high-end New York City importer of porcelain and glass, were Rookwood's representatives at the Exposition Universelle, Paris 1889. [8]