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Sweet Fanny Adams is the second album by Sweet, released on 26 April 1974 through RCA Records. [2] [3] [4]Also their first album simply as Sweet.The album was a turning point and change in the band's sound, featuring more of a hard rock sound than their previous pop record.
Title Album details Live at the Marquee: Released: March 1989; Label: SPV, Maze; Formats: CD, 2×LP; Rock & Roll Disgrace – Live in Japan: Released: November 1992
The Sweet is a compilation album released as Sweet's debut album in the US and Canada, substituting for the 1971 UK album Funny How Sweet Co-Co Can Be. (The band's second album, Sweet Fanny Adams was also not given a US release, but tracks from that and the band's third album Desolation Boulevard were combined on the US version of that album to compensate for this.) [citation needed]
The band and their producer Phil Wainman, assisted by engineer Peter Coleman, recorded the album Sweet Fanny Adams, which was released in April 1974 and featured self-penned hard rock tracks such as "Sweet F.A." and "Set Me Free". Sweet also adopted a more conventional hard rock sound and appearance.
Sweet Fanny Adams (album) The Sweet (album) The Sweet Singles Album; The Sweet's Biggest Hits; W. Waters Edge This page was last edited on 21 September 2020, at ...
Desolation Boulevard is the third studio album by the British glam rock band Sweet, originally released in the United Kingdom in November 1974.Two noticeably different versions of the album were released: one by RCA Records in Europe, and another by Capitol Records in the United States, Canada and Japan.
After Fanny were signed to Reprise/Warner Bros. Records by Mo Ostin (who’d wrongly assumed Fanny were a novelty act) and famous record producer Richard Perry, and they released their debut album ...
Sweet Fanny Adams Revisited (2012) (digital download, cd version from the official web site and full release in March 2013) Desolation Boulevard Revisited (2012) (digital download and full release in March 2013; this is the same album as Sweet Fanny Adams Revisited, only with a different cover)
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