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An important classification system for Egyptian pottery is the Vienna system, which was developed by Dorothea Arnold, Manfred Bietak, Janine Bourriau, Helen and Jean Jacquet, and Hans-Åke Nordström at a meeting in Vienna in 1980. Seriation of Egyptian pottery has proven useful for the relative chronology of ancient Egypt.
Egyptian faience is a sintered-quartz ceramic material from Ancient Egypt. The sintering process "covered [the material] with a true vitreous coating" as the quartz underwent vitrification , creating a bright lustre of various colours "usually in a transparent blue or green isotropic glass".
Black-topped red ware jar, Metropolitan Museum of Art. Black-topped pottery is a specialized type of Ancient Egyptian pottery that was found in Nubian archaeological sites, including Elephantine, an island on the Nile River, Nabta Playa in the Nubian Desert, and Kerma in present-day Sudan.
The pottery of Ancient Egypt. Pages in category "Ancient Egyptian pottery" The following 10 pages are in this category, out of 10 total. ...
Evolution of Egyptian prehistoric pottery styles, from Naqada I to Naqada II and Naqada III. Petrie's chronology was superseded by that of Werner Kaiser in 1957. Kaiser's chronology began c. 4000 BC, but the modern version has been adjusted slightly, as follows: [2] Naqada I (about 3900–3650 BC) black-topped and painted pottery
Egyptian Revival art is a style in Western art, mainly of the early nineteenth century, in which Egyptian motifs were applied to a wide variety of decorative arts objects. It was underground in American decorative arts throughout the nineteenth century, continuing into the 1920s.
Egyptian faience pottery (as opposed to modern faience) was made from fired earthenware colored with a glaze. The art style was popular in the Third Intermediate Period (c. 1069 BC – c. 664 BC) of Egyptian history. Blue-green, the most popular color used on the earthenware, was achieved through the use of a quartz and calcite lime-based glaze ...
Tell el-Yehudiyeh Ware is characterised by its distinctive mode of decoration, applied after slipping and burnishing, and created by repeatedly "pricking" the surface of the vessel with a small sharp object to create a large variety of geometric designs ('puncturing' according to some writers - not a completely accurate description of the process, as it appears to have been the potters ...
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