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Beowulf (/ ˈ b eɪ ə w ʊ l f /; [1] Old English: Bēowulf [ˈbeːowuɫf]) is an Old English epic poem in the tradition of Germanic heroic legend consisting of 3,182 alliterative lines. It is one of the most important and most often translated works of Old English literature .
Remounted page from Beowulf, British Library Cotton Vitellius A.XV, 133r First page of Beowulf, contained in the damaged Nowell Codex (132r). The Nowell Codex is the second of two manuscripts comprising the bound volume Cotton MS Vitellius A XV, one of the four major Old English poetic manuscripts.
Beowulf (/ ˈ b eɪ ə w ʊ l f /; [1] [2] Old English: Bēowulf [ˈbeːowuɫf]) is a legendary Geatish hero in the eponymous epic poem, one of the oldest surviving pieces of English literature. Etymology and origins of the character
"Beowulf: The Monsters and the Critics" looks at the critics' understanding of Beowulf, and proposes instead a fresh take on the poem. "On Translating Beowulf " looks at the difficulties in translating the poem from Old English. "On Fairy-Stories", the 1939 Andrew Lang lecture at St Andrew's University, is a defence of the fantasy genre.
Heorot (Old English 'hart, stag') is a mead-hall and major point of focus in the Anglo-Saxon poem Beowulf. The hall serves as a seat of rule for King Hrothgar , a legendary Danish king . After the monster Grendel slaughters the inhabitants of the hall, the Geatish hero Beowulf defends the royal hall before subsequently defeating him.
This is a list of translations of Beowulf, one of the best-known Old English heroic epic poems. Beowulf has been translated many times in verse and in prose. By 2020, the Beowulf's Afterlives Bibliographic Database listed some 688 translations and other versions of the poem, from Thorkelin's 1787 transcription of the text, and in at least 38 languages.
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The commentary, occupying over 200 pages, provides a detailed picture of how he saw Beowulf, sometimes taking several pages for a short passage of the poem, and giving his interpretation of difficult words or allusions by the poet. The commentary formed the basis of Tolkien's acclaimed 1936 lecture "Beowulf: The Monsters and the Critics". [1] [2]
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