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Symphonie fantastique: Épisode de la vie d'un artiste … en cinq parties (Fantastic Symphony: Episode in the Life of an Artist … in Five Sections) Op. 14, is a programmatic symphony written by Hector Berlioz in 1830. The first performance was at the Paris Conservatoire on 5 December 1830.
Berlioz by August Prinzhofer, 1845. Louis-Hector Berlioz [n 1] (11 December 1803 – 8 March 1869) was a French Romantic composer and conductor. His output includes orchestral works such as the Symphonie fantastique and Harold in Italy, choral pieces including the Requiem and L'Enfance du Christ, his three operas Benvenuto Cellini, Les Troyens and Béatrice et Bénédict, and works of hybrid ...
Symphonie Fantastique, (1830) Harold in Italy, ... He composed a total of thirteen symphonic poems as well as two programmatic symphonies, drawing his inspiration ...
refrain composed 1832 12a 75 5 Grande messe des morts (Requiem) 1837 5 December 1837 9 76 23 Benvenuto Cellini, opera semiseria 1836–38 10 September 1838 Libretto: L. de Wailly, A. Barbier and A. de Vigny 1 78 Aubade: 1839 13 79 17 Roméo et Juliette, symphonie dramatique 1839 24 November 1839 18 80 15 Grande symphonie funèbre et triomphale ...
Hector Berlioz (1803–1869), French composer of 4 unnumbered, programmatic symphonies: Symphonie fantastique (1830), perhaps the first true programmatic symphony; Harold en Italie (1834), for viola obbligato and orchestra; Roméo et Juliette (1839), a choral symphony with parts for contralto and tenor soloists; and, Grande symphonie funèbre ...
The score was composed by Erik Satie, ... 1936: Symphonie fantastique (to the music of Symphonie fantastique by Hector Berlioz) 1938: Gaîté Parisienne ...
Symphonie fantastique, Op. 14 (1830) Episode de la vie d'un artiste. Grande Symphonie fantastique. Partition de Piano: c. 1833 S.470 In c. 1864–65 Liszt made a new transcription of the 4th movement, "March au supplice". [10] L'idée fixe. Andante amoroso: S.395 Based on the theme of the Symphonie: Lélio, Op. 14b (1831)
The Italian composer Niccolò Paganini encouraged Hector Berlioz to write Harold en Italie.The two first met after a concert of Berlioz's works conducted by Narcisse Girard on 22 December 1833, three years after the premiere of Berlioz's Symphonie fantastique.