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The Rumford fireplace created a sensation in London when he introduced the idea of restricting the chimney opening to increase the updraft. [5] He and his workers changed fireplaces by inserting bricks into the hearth to make the side walls angled, and they added a choke to the chimney to create a circulation of air inside the chimney.
Arch—An arched top of the fireplace opening. [21] Ash dump—An opening in a hearth to sweep ashes for later removal from the ash pit. [21] Back (fireback)—The inside, rear wall of the fireplace of masonry or metal that reflects heat into the room. [21] Brick trimmer—A brick arch supporting a hearth or shielding a joist in front of a ...
The primary functions of a fireback are to protect the wall at the back of the fireplace and radiate heat from the fire into the room. The protection was especially important where the wall was constructed of insubstantial material such as daub (a mud and straw mixture coating interwoven wooden wattles), brick or soft stone.
Existing and new walls, alike, were covered in uniform, lightly textured, pale stucco from the ground up to – and including – the eave soffit. A continuous canted ledge of painted redwood stretched around the house below the second floor windows. Additional redwood trim was employed in rectangles to wrap around each corner on the second ...
The exterior style could be expressed in either wood, brick or stone, though high style examples on the whole prefer stone facades or brick facades with stone details (a brick and brownstone combination seems to be particularly common). Some Second Empire buildings have cast iron facades and elements.
The earliest form of tracery, called plate tracery, began as openings that were pierced from a stone slab. Bar tracery was then implemented, having derived from the plate tracery. However, instead of a slab, the windows were defined by moulded stone mullions, which were lighter and allowed for more openings and intricate designs. [4]
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The choice of paint color on the walls in Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms. Most people marbleized the walls or the woodwork.
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