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Classic female blues was an early form of blues music, popular in the 1920s. An amalgam of traditional folk blues and urban theater music, the style is also known as vaudeville blues . Classic blues were performed by female singers accompanied by pianists or small jazz ensembles and were the first blues to be recorded.
Ed Andrews (fl. 1920s) was an American blues singer and guitarist, who made what are considered to be the first commercially released country blues recordings, in 1924, some three years before such releases became commonplace.
The company relied on offices and agents in nearby Chicago to find and record artists for its blues and jazz offerings. [4] Paramount's race record series was launched in 1922 with vaudeville blues songs by Lucille Hegamin and Alberta Hunter. [5] The company had a large mail-order operation which was a key to its early success. [2]
Vaudevillean Mamie Smith records "Crazy Blues" for Okeh Records, the first blues song commercially recorded by an African-American singer, [1] [2] [3] the first blues song recorded at all by an African-American woman, [4] and the first vocal blues recording of any kind, [5] a few months after making the first documented recording by an African-American female singer, [6] "You Can't Keep a Good ...
Robert Leroy Johnson (May 8, 1911 – August 16, 1938) was an American blues musician and songwriter. His singing, guitar playing and songwriting on his landmark 1936 and 1937 recordings has influenced later generations of musicians.
Classic female urban or vaudeville blues singers were popular in the 1920s, among them Mamie Smith, Ma Rainey, Bessie Smith, and Victoria Spivey. Mamie Smith, more a vaudeville performer than a blues artist, [36] was the first African-American to record a blues in 1920; her "Crazy Blues" sold over 75,000 copies in its first month. [37]
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All Music Guide to the Blues: The Definitive Guide to the Blues. San Francisco, California: Backbeat Books. ISBN 0-87930-736-6. Harrison, Daphne Duval (1990). Black Pearls: Blues Queens of the 1920s. New Brunswick and London: Rutgers. ISBN 0-8135-1280-8. Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray.