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Ernst Walter Mayr (/ ˈ m aɪər / MYRE, German: [ɛʁnst ˈmaɪɐ]; 5 July 1904 – 3 February 2005) [1] [2] was a German-American evolutionary biologist. He was also a renowned taxonomist , tropical explorer, ornithologist , philosopher of biology , and historian of science . [ 3 ]
Ernst Wilhelm Mayr (born 18 May 1950) is a German computer scientist and mathematician. He received the Gottfried Wilhelm Leibniz Prize in 1997 awarded for his contributions to theoretical computer science. [1] Mayr's research in computer science covers algorithms and complexity theory.
Ernst Mayr wrote that "Truly, Buffon was the father of all thought in natural history in the second half of the 18th century". [2] Credited with being one of the first naturalists to recognize ecological succession , he was later forced by the theology committee at the University of Paris to recant his theories about geological history and ...
Darwin's theory of evolution is based on key facts and the inferences drawn from them, which biologist Ernst Mayr summarised as follows: [6] Every species is fertile enough that if all offspring survived to reproduce, the population would grow (fact). Despite periodic fluctuations, populations remain roughly the same size (fact).
This concept Ernst Mayr proposes here is now commonly referred to as the biological species concept. The biological species concept defines a species in terms of biological factors such as reproduction , taking into account ecology, geography, and life history; it remains an important and useful idea in biology, particularly for animal ...
The synthesis was defined differently by its founders, with Ernst Mayr in 1959, G. Ledyard Stebbins in 1966, and Theodosius Dobzhansky in 1974 offering differing basic postulates, though they all include natural selection, working on heritable variation supplied by mutation.
Plato was called by biologist Ernst Mayr "the great antihero of evolutionism," [13] because he promoted belief in essentialism, which is also referred to as the theory of Forms. This theory holds that each natural type of object in the observed world is an imperfect manifestation of the ideal, form or "species" which defines that type.
Arthur Danto, The Transfiguration of the Commonplace: A Philosophy of Art, 1981; Noël Carroll, The Philosophy of Horror, or Paradoxes of the Heart, 1990; Kendall Walton, Mimesis as Make-Believe: On The Foundations of the Representational Arts, 1990; Richard Shusterman, Pragmatist Aesthetics: Living Beauty, Rethinking Art, 1992/2000