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Musically, "Enchanted" is a power ballad. [12] The song begins with gentle acoustic guitar, which crescendos after each lyric "I was enchanted to meet you". [13] Towards the song's conclusion is a harmony-layered coda featuring multitracked Swift's vocals over synthesizers.
[2] [3] Her early-career songwriting outputs featured collaborations with Liz Rose, who co-wrote with Swift for the albums Taylor Swift (2006), Fearless (2008), and Red (2012). [4] She was the sole writer of the majority of Fearless and Red , [ 5 ] [ 6 ] and she wrote her third studio album, Speak Now , solely herself. [ 7 ]
Swift on the Speak Now World Tour (2011). Taylor Swift began work on her third studio album, Speak Now (2010), two years prior to its release. [1] According to Swift, the album is a collection of songs about the things she had wanted to but could not say to the people she had met in real life.
Labyrinth (Taylor Swift song) The Lakes (song) The Last Great American Dynasty; Last Kiss (Taylor Swift song) The Last Time (Taylor Swift song) Lavender Haze; Loml; London Boy (song) Long Live (Taylor Swift song) Long Story Short (Taylor Swift song) Look What You Made Me Do; Love Story (Taylor Swift song) Lover (Taylor Swift song) The Lucky One ...
Joe Coscarelli from The New York Times said the re-recorded track "can't help but sound like [a cover]" because of Swift's matured vocals and teenage lyrics. [220] Heather Taylor-Singh of Exclaim! and Jonathan Bernstein of Rolling Stone said Swift's vocals somewhat lose the adolescent sense in the original. [225] [226]
Yes, this will also mark the first music video from Swift’s TPD era, too. In the lyrics, Swift sings about a romance that was short-lived but affected her deeply (and continues to, as her former ...
Taylor Swift Gotham/GC Images/Getty Images The chairman of the Tortured Poets Department, better known as Taylor Swift, has revealed exactly how fans should listen to her 11th studio album. In a ...
"Marjorie" was the precursor to "Peace", the fifteenth track on Folklore; the drone in "Peace" is a sample of the drone in the bridge of "Marjorie". The backing rhythm of "Marjorie" was composed from an "Allovers Hi-Hat Generator", a software created by Minnesotan producer Ryan Olson that takes any sound and splits them into identifiable samples, reorganizing the samples in randomized musical ...